Learning FIDDLE at Maine Fiddle Camp. So many fiddlers, so many tunes, so little time!! Adults, kids, all levels of ability…
How does the teaching work at Camp?
Well it’s simple. Campers are grouped by the ability they indicate on their registration form into classes, each named for a bird. There are 6 levels, “beginner beginner” to “advanced advanced”, and each of those levels has an adult and a youth (under 18) track. So that’s 12 “birds”. Each group has a home “nest” and during the June weekend camps different instructors rotate through the nests.. At the June and August week-long camps, each class has a primary teacher that they meet with for a session each morning plus a review session in the afternoon, while different instructors rotate through the nests during second period of the morning. That’s for the levels 3 through 6, i.e. the beginner intermediates to the advanced advanced. The beginners (levels one and 2) are taught by a team, still divided up into different levels (bird names) but students usually stay with the same teacher throughout the camp session. . Each teaching session (there are three per day) is between an hour and an hour and a half long., slightly less for the younger kids.
The beginning levels concentrate more on technique and less on repertoire, while the more advanced levels assume knowledge of technique and concentrate on teaching repertoire, though some technique, like bowing and ornamentation unique to that repertoire, will certainly be covered. Obviously not all campers know what level they are best suited for when they sign up, so there is often some “switching around” at the beginning of camp. So campers should not feel they are “pigeonholing” themselves when they sign up.. Give it your best shot on the registration form and your instructors will move you if necessary.
Classes are held outdoors under tents. The vary in size from 3 or 4 to as many as 20 or 25, though the normal size is 10-15. To the left is a picture showing Lissa Schneckenburger with her “Puffins”. . Classes often work on a particular tune to present at camper concerts, which are held each day. Here’s a video of such a concert. This is Steve Muise and the Mergansers, an advance youth group.
June Weekend I
- Greg BoardmanI traded my electric guitar for a fiddle upon hearing Dave Swarbrick play with Fairport Convention at the King’s Rook, in Ipswich, Massachusetts, back in 1970. Roving out later from my home in central Maine, I soon discovered a cadre of peer fiddling expeditionaries (including many MFC staffers) and a couple of older generations boasting of some very fine country and traditional musicians. Among these, Cherry Frechette, Otto Soper, Fred Pike, Leo Murphy, Simon St. Pierre, Ben Guillemette and Lucien Matthieu, to mention a few, made a great impact upon my life and music. Dudley Laufman of Canterbury, New Hampshire, whose itinerant musician’s license still brings him frequently to Maine, has also been a seminal musical influence, not to mention the very welcome new wave of younger musicians who are infusing our scene with great energy, creativity and feeling. Meantime, I continue to teach bowed strings to elementary school children, produce music events, assist in music for worship, and perform around the state from my family base in Lewiston.
- Jessie Boardman
Jessie fiddles for contra and family dances across New England, and she sometimes sneaks the cello into dance sets. Jessie teaches fiddle to all ages at Maine Fiddle Camp, Sandy Island Suzuki Camp, at workshops, and in her private studio. Dancing her first contra dance as a child to the band Swallowtail in New Hampshire, Jessie later moved to Maine, where she happily resides. Jessie can be reached at (207) 344-3106.
- Éric Favreau
Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. (more…)
- Frank Ferrel
Maine coast musician, Frank Ferrel is considered one of the seminal traditional New England and Maritime fiddlers. In fact, Boston Globe music critic, Scott Alarik called him, “One of the finest living masters of the genre.” his CD recording, Yankee Dreams, was selected by the Library of Congress to be included in their, “Select list of 25 examples of American folk music on record.” (more…)
- Tamora Goltz
Tamora has been playing the fiddle since the early 1980’s and teaching for more than two decades. She teaches a broad range of music and created the first strings program at Ashwood Waldorf school. She is currently part of the teaching staff at 317 Main Community Music Center. Tamora is primarily known for her music in the Irish/Celtic tradition and in the world of Contra Dance. (more…)
- Ed Howe
Born into a musical family, Ed started playing fiddle at the age of 4, learning Suzuki method. His musical interests cover a wide spectrum from Bluegrass to Celtic and beyond and he has been a regular instructor for Maine Fiddle Camp since 2003. Howe has an extensive electronics background, and took an interest in the electric violin. He plays a 5-string NS Design electronic violin and is a featured artist on the NS design artist page. (more…)
- Elaine Malkin
Elaine Malkin has played the violin since the age of 5. She was part of the resurgence of contra dances in Maine in the early 70’s, having learned from Otto Soper and Dudley Laufman. She played New England contra dances until 2009, when she began an intensive study of Québécois fiddle with mainly Éric Favreau, but also with Lisa Ornstein, André Brunet, Yvon Mimeault, and Liette Remon. This music has completely captured her heart and she uses a traditional Québécois repertoire for contra dances, concerts, and other venues. Learning, teaching, and sharing this special music is her greatest joy.
- Steve Muise
Steve Muise has been fiddling his family’s Downeast Style for many years. (His parents are 1st and 2nd generation Nova Scotians) He founded the Franklin County Fiddlers, a group of high school musicians that tours around Maine and way beyond displaying, promoting and learning about fiddle styles. Steve is a graduate of Berklee College of Music, and is a stringed instrument teacher in the MBRSD schools (Farmington area). Steve was honored with the “Maine Music Educator of the Year” award in 2007 from MMEA. Steve enjoys playing all styles, ranging from Downeast (maritime), Québécois, Celtic, and jazz, and can be seen playing music with his dad Paul, Boréal Tordu, Frigate, Muisette and the Franklin County (more…)
- Kaity Newell
Kaity teaches fiddle in Damariscotta and has played for dances for many years with The Maine Country Dance Orchestra, and with the band The Lady Bugs. A native of Great Britain, Kaity has brought many a fine tune from the British Isles to our local dances. Kaity also plays viola in the local community orchestra and has four children, all of whom play music and come to camp every year.
7 Creek Lane Damariscotta ME 044543 207-563-8440 - John Pranio
John started his early musical life as a drummer, but by some miracle got hooked on traditional music in his teens.
John’s been teaching fiddle and harmonica at MF Camp since its start in the mid 90’s. He’s been known to get a few silly skits going for the evening variety show. He teaches fiddle, guitar and harmonica privately and can be contacted at [email protected] 338-0296 (cell 213-3294).
- Maggie Robinson
Maggie Robinson has been teaching fiddle since 2003. She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year. Many years later she discovered Contradancing and fell in love with the music She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”.
Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
- Pam Weeks
Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol’Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes.
June Week
- Mitch Reed
Words from Mitch Reed:
“I am a multi-instrumentalist, traditional music instructor, and storyteller. I was born in Bayou Vista, Louisiana, raised in Lafayette by musicians and storytellers from Mamou. At 15 I began playing the fiddle and studying traditional Cajun and Creole music. By 17 I toured as a cultural ambassador in Smithsonian Institution Office of Folklife Programs, and have continued to work with them since 1989.During my career, I have played alongside Louisiana greats such as Canray Fontenot, Bois Sec Ardoin, Charles Neville, and George Porter. I have performed on four Grammy Nominated albums, and in 2009 I was awarded a Grammy with BeauSoleil for the album “Live at the 2008 New Orleans Jazz & Heritage Festival”. Over the years I have built an extensive repertoire and learned an old style of playing which is evident in my sound today.
After I retired from 11 years on the road as the bass player and second fiddler with BeauSoleil avec Michael Doucet, I moved from Louisiana to Maine with my wife and our family. These changes helped me continue passing on the unwritten tradition of Cajun and Creole fiddling and storytelling while exploring the connections between the musical traditions of Acadia and Acadiana.”
Mitch will be teaching either bass or fiddle during the week-long sessions in 2024
- Éric Favreau
Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. (more…)
- Frank Ferrel
Maine coast musician, Frank Ferrel is considered one of the seminal traditional New England and Maritime fiddlers. In fact, Boston Globe music critic, Scott Alarik called him, “One of the finest living masters of the genre.” his CD recording, Yankee Dreams, was selected by the Library of Congress to be included in their, “Select list of 25 examples of American folk music on record.” (more…)
- Tamora Goltz
Tamora has been playing the fiddle since the early 1980’s and teaching for more than two decades. She teaches a broad range of music and created the first strings program at Ashwood Waldorf school. She is currently part of the teaching staff at 317 Main Community Music Center. Tamora is primarily known for her music in the Irish/Celtic tradition and in the world of Contra Dance. (more…)
- Ed Howe
Born into a musical family, Ed started playing fiddle at the age of 4, learning Suzuki method. His musical interests cover a wide spectrum from Bluegrass to Celtic and beyond and he has been a regular instructor for Maine Fiddle Camp since 2003. Howe has an extensive electronics background, and took an interest in the electric violin. He plays a 5-string NS Design electronic violin and is a featured artist on the NS design artist page. (more…)
- Elaine Malkin
Elaine Malkin has played the violin since the age of 5. She was part of the resurgence of contra dances in Maine in the early 70’s, having learned from Otto Soper and Dudley Laufman. She played New England contra dances until 2009, when she began an intensive study of Québécois fiddle with mainly Éric Favreau, but also with Lisa Ornstein, André Brunet, Yvon Mimeault, and Liette Remon. This music has completely captured her heart and she uses a traditional Québécois repertoire for contra dances, concerts, and other venues. Learning, teaching, and sharing this special music is her greatest joy.
- Kaity Newell
Kaity teaches fiddle in Damariscotta and has played for dances for many years with The Maine Country Dance Orchestra, and with the band The Lady Bugs. A native of Great Britain, Kaity has brought many a fine tune from the British Isles to our local dances. Kaity also plays viola in the local community orchestra and has four children, all of whom play music and come to camp every year.
7 Creek Lane Damariscotta ME 044543 207-563-8440 - Ed Pearlman
Ed Pearlman is based in South Portland, enjoys many styles of fiddle music, and is best known for Scottish and Cape Breton fiddling, often working with his son Neil, daughter Lillie, and his wife, dancer Laura Scott. He has taught in-person workshops and private lessons since the 1980s, and since 2014, has run www.fiddle-online.com, an instructional fiddle website offering many styles and techniques. Ed co-led music and walking trips to Scotland for 14 summers, and now writes weekly posts about them on substack.com, as well as weekly posts about learning fiddle. Ed has worked closely with many top fiddlers, wrote for Fiddler magazine for several yeas, and was the music columnist for Scottish Life magazine for 24 years. He directed the Boston Scottish Fiddle Club 1981-99, and the Roaring Jelly open contra dance band for several years. With Neil on piano, Ed has toured widely and recorded 3 CDs (one with Lillie on fiddle). Together, they published a book of 150 original tunes called the “Pine Street Collection”. Ed invented the popular Finger Finder, a slide rule for violin fingering in all keys. Contact: [email protected]
- John Pranio
John started his early musical life as a drummer, but by some miracle got hooked on traditional music in his teens.
John’s been teaching fiddle and harmonica at MF Camp since its start in the mid 90’s. He’s been known to get a few silly skits going for the evening variety show. He teaches fiddle, guitar and harmonica privately and can be contacted at [email protected] 338-0296 (cell 213-3294).
- Maggie Robinson
Maggie Robinson has been teaching fiddle since 2003. She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year. Many years later she discovered Contradancing and fell in love with the music She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”.
Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
- Lissa Schneckenburger
A new England fiddler and folk singer, Lissa grew up in Maine as an active member of the folk music and dance community, where she cut her teeth as a musician at a very young age. She has continued to explore music throughout her life, leading to her graduation from The New England Conservatory of Music in Boston, Massachusetts (2001). Her list of mentors includes Greg Boardman, Alasdair Fraser, David Kaynor, and Hankus Netsky. While embracing a diverse pallet of musical influences, she still stays true to her New England roots.
For more info on Lissa, check out her website at www.lissafiddle.com
August Week I
- Éric Favreau
Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. (more…)
- Frank Ferrel
Maine coast musician, Frank Ferrel is considered one of the seminal traditional New England and Maritime fiddlers. In fact, Boston Globe music critic, Scott Alarik called him, “One of the finest living masters of the genre.” his CD recording, Yankee Dreams, was selected by the Library of Congress to be included in their, “Select list of 25 examples of American folk music on record.” (more…)
- Pascal Gemme
Pascal Gemme has a degree from St-Laurent College (Montreal) in arranging and classical/jazz guitar, he has since been searching for seldom-heard songs and melodies, interpreting them in his unique and unmistakable style. Originally inspired by his fiddling grandfather, he has played with (and learned from), most of today’s great Quebecois fiddlers and singers. On top of teaching fiddle lessons on a weekly basis in his village of Waterville, QC, his teaching highlights include the Irish World Academy of Music and Dance in Limerick, Ireland, the Goderich Celtic College in Ontario, Quasitrad Music Camp in Australia, The Festival of American Fiddle Tunes in Port Townsend, Alasdair Fraser’s Fiddle Train, Sierra Fiddle Camp and Valley of the moon…AND Maine Fiddle camp of course (the best one of them all)!
- Ed Howe
Born into a musical family, Ed started playing fiddle at the age of 4, learning Suzuki method. His musical interests cover a wide spectrum from Bluegrass to Celtic and beyond and he has been a regular instructor for Maine Fiddle Camp since 2003. Howe has an extensive electronics background, and took an interest in the electric violin. He plays a 5-string NS Design electronic violin and is a featured artist on the NS design artist page. (more…)
- Elaine Malkin
Elaine Malkin has played the violin since the age of 5. She was part of the resurgence of contra dances in Maine in the early 70’s, having learned from Otto Soper and Dudley Laufman. She played New England contra dances until 2009, when she began an intensive study of Québécois fiddle with mainly Éric Favreau, but also with Lisa Ornstein, André Brunet, Yvon Mimeault, and Liette Remon. This music has completely captured her heart and she uses a traditional Québécois repertoire for contra dances, concerts, and other venues. Learning, teaching, and sharing this special music is her greatest joy.
- Steve Muise
Steve Muise has been fiddling his family’s Downeast Style for many years. (His parents are 1st and 2nd generation Nova Scotians) He founded the Franklin County Fiddlers, a group of high school musicians that tours around Maine and way beyond displaying, promoting and learning about fiddle styles. Steve is a graduate of Berklee College of Music, and is a stringed instrument teacher in the MBRSD schools (Farmington area). Steve was honored with the “Maine Music Educator of the Year” award in 2007 from MMEA. Steve enjoys playing all styles, ranging from Downeast (maritime), Québécois, Celtic, and jazz, and can be seen playing music with his dad Paul, Boréal Tordu, Frigate, Muisette and the Franklin County (more…)
- Helen Newell
Helen Newell grew up in Maine surrounded by the New England Folk scene. Her parents, Kaity and Carter Newell are founding members of Maine Fiddle Camp, and Helen has spent every year of her life at MFC, first as a camper and now as a staff member since 2018.
Helen graduated from Berklee College of Music in 2022, where she studied Western classical music, American roots, jazz, and traditional music from all over the world. She has an active performing life as a professional violinist—playing in orchestras, musicals, recording sessions, chamber groups, and folk bands.
An important aspect of Helen’s musical life is teaching. She currently teaches online violin lessons to students of all ages and abilities all over the US! Depending on her student’s goals, she likes to explore different genres, repertoire, and techniques such as improvisation, composing, and arranging. If you are looking for your next step in your musical journey, her teaching philosophy is to make playing the violin enjoyable and effortless, reduce tension, and find styles that make you love music even more!
- Kaity Newell
Kaity teaches fiddle in Damariscotta and has played for dances for many years with The Maine Country Dance Orchestra, and with the band The Lady Bugs. A native of Great Britain, Kaity has brought many a fine tune from the British Isles to our local dances. Kaity also plays viola in the local community orchestra and has four children, all of whom play music and come to camp every year.
7 Creek Lane Damariscotta ME 044543 207-563-8440 - John Pranio
John started his early musical life as a drummer, but by some miracle got hooked on traditional music in his teens.
John’s been teaching fiddle and harmonica at MF Camp since its start in the mid 90’s. He’s been known to get a few silly skits going for the evening variety show. He teaches fiddle, guitar and harmonica privately and can be contacted at [email protected] 338-0296 (cell 213-3294).
- Maggie Robinson
Maggie Robinson has been teaching fiddle since 2003. She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year. Many years later she discovered Contradancing and fell in love with the music She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”.
Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
- Pam Weeks
Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol’Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes.
August Week II
- Mitch Reed
Words from Mitch Reed:
“I am a multi-instrumentalist, traditional music instructor, and storyteller. I was born in Bayou Vista, Louisiana, raised in Lafayette by musicians and storytellers from Mamou. At 15 I began playing the fiddle and studying traditional Cajun and Creole music. By 17 I toured as a cultural ambassador in Smithsonian Institution Office of Folklife Programs, and have continued to work with them since 1989.During my career, I have played alongside Louisiana greats such as Canray Fontenot, Bois Sec Ardoin, Charles Neville, and George Porter. I have performed on four Grammy Nominated albums, and in 2009 I was awarded a Grammy with BeauSoleil for the album “Live at the 2008 New Orleans Jazz & Heritage Festival”. Over the years I have built an extensive repertoire and learned an old style of playing which is evident in my sound today.
After I retired from 11 years on the road as the bass player and second fiddler with BeauSoleil avec Michael Doucet, I moved from Louisiana to Maine with my wife and our family. These changes helped me continue passing on the unwritten tradition of Cajun and Creole fiddling and storytelling while exploring the connections between the musical traditions of Acadia and Acadiana.”
Mitch will be teaching either bass or fiddle during the week-long sessions in 2024
- Elizabeth Anderson
Elizabeth Anderson is the 2020 US National Scottish Fiddle Champion and the 2016 Perth All-Scotland Fiddle Champion. Her stylish and vibrant fiddle playing has delighted audiences and dancers across the East Coast. As a duo with her brother Ben on cello, Elizabeth has played to full houses at iconic Boston venues The Burren and Club Passim, and has given popular performances and workshops as far away as France and Scotland. A graduate of Berklee College of Music, she teaches string instruments as a middle school and private instructor.
- Jennifer ArmstrongI am delighted to be back at MFC this summer teaching banjo, fiddle, sharing stories, getting up to high jinks. I have over 60 years of performing and teaching music behind me but I think my daughter’s bio for me at 33 still holds. (Except for the brown hair with a little auburn. It’s now grey with a little brown.)
Bio for Jennifer Armstrong by Georgia Rose, age 10.
My mother is 33 and getting smarter every day. Her hair is dark brown with a small amount of auburn in it. She is a music maker and gives her music to schools, libraries and nursing homes. She has two girls. A ten year old and a nine year old. Her skills in cooking are slowly growing better. She has just finished playing banjo, fiddle, guitar, lap dulcimer and spoons in a production of Quilters. She says she is inspired to make a quilt herself. She’ll need a lot of help and wishful thinking. (That tells you her skills with a needle. Ha ha ha ha!) She’s doing her best in life and in my opinion its pretty good. She is honest, hard working, beautiful and is a heck of a fiddle player. I love her a whole lot!
Jennifer Armstrong135 Fisher LaneAsheville, NC 28804 - Éric Favreau
Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. (more…)
- Frank Ferrel
Maine coast musician, Frank Ferrel is considered one of the seminal traditional New England and Maritime fiddlers. In fact, Boston Globe music critic, Scott Alarik called him, “One of the finest living masters of the genre.” his CD recording, Yankee Dreams, was selected by the Library of Congress to be included in their, “Select list of 25 examples of American folk music on record.” (more…)
- Ed Howe
Born into a musical family, Ed started playing fiddle at the age of 4, learning Suzuki method. His musical interests cover a wide spectrum from Bluegrass to Celtic and beyond and he has been a regular instructor for Maine Fiddle Camp since 2003. Howe has an extensive electronics background, and took an interest in the electric violin. He plays a 5-string NS Design electronic violin and is a featured artist on the NS design artist page. (more…)
- Elaine Malkin
Elaine Malkin has played the violin since the age of 5. She was part of the resurgence of contra dances in Maine in the early 70’s, having learned from Otto Soper and Dudley Laufman. She played New England contra dances until 2009, when she began an intensive study of Québécois fiddle with mainly Éric Favreau, but also with Lisa Ornstein, André Brunet, Yvon Mimeault, and Liette Remon. This music has completely captured her heart and she uses a traditional Québécois repertoire for contra dances, concerts, and other venues. Learning, teaching, and sharing this special music is her greatest joy.
- Helen Newell
Helen Newell grew up in Maine surrounded by the New England Folk scene. Her parents, Kaity and Carter Newell are founding members of Maine Fiddle Camp, and Helen has spent every year of her life at MFC, first as a camper and now as a staff member since 2018.
Helen graduated from Berklee College of Music in 2022, where she studied Western classical music, American roots, jazz, and traditional music from all over the world. She has an active performing life as a professional violinist—playing in orchestras, musicals, recording sessions, chamber groups, and folk bands.
An important aspect of Helen’s musical life is teaching. She currently teaches online violin lessons to students of all ages and abilities all over the US! Depending on her student’s goals, she likes to explore different genres, repertoire, and techniques such as improvisation, composing, and arranging. If you are looking for your next step in your musical journey, her teaching philosophy is to make playing the violin enjoyable and effortless, reduce tension, and find styles that make you love music even more!
- Kaity Newell
Kaity teaches fiddle in Damariscotta and has played for dances for many years with The Maine Country Dance Orchestra, and with the band The Lady Bugs. A native of Great Britain, Kaity has brought many a fine tune from the British Isles to our local dances. Kaity also plays viola in the local community orchestra and has four children, all of whom play music and come to camp every year.
7 Creek Lane Damariscotta ME 044543 207-563-8440 - Ed Pearlman
Ed Pearlman is based in South Portland, enjoys many styles of fiddle music, and is best known for Scottish and Cape Breton fiddling, often working with his son Neil, daughter Lillie, and his wife, dancer Laura Scott. He has taught in-person workshops and private lessons since the 1980s, and since 2014, has run www.fiddle-online.com, an instructional fiddle website offering many styles and techniques. Ed co-led music and walking trips to Scotland for 14 summers, and now writes weekly posts about them on substack.com, as well as weekly posts about learning fiddle. Ed has worked closely with many top fiddlers, wrote for Fiddler magazine for several yeas, and was the music columnist for Scottish Life magazine for 24 years. He directed the Boston Scottish Fiddle Club 1981-99, and the Roaring Jelly open contra dance band for several years. With Neil on piano, Ed has toured widely and recorded 3 CDs (one with Lillie on fiddle). Together, they published a book of 150 original tunes called the “Pine Street Collection”. Ed invented the popular Finger Finder, a slide rule for violin fingering in all keys. Contact: [email protected]
- John Pranio
John started his early musical life as a drummer, but by some miracle got hooked on traditional music in his teens.
John’s been teaching fiddle and harmonica at MF Camp since its start in the mid 90’s. He’s been known to get a few silly skits going for the evening variety show. He teaches fiddle, guitar and harmonica privately and can be contacted at [email protected] 338-0296 (cell 213-3294).
- Maggie Robinson
Maggie Robinson has been teaching fiddle since 2003. She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year. Many years later she discovered Contradancing and fell in love with the music She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”.
Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
- Pam Weeks
Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol’Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes.
Ready to sign up? Go to the registration page. See you at Camp!!