Piano

Learn to play piano at Maine Fiddle Camp

Sure, Maine Fiddle Camp has a lot to do with learning to play the fiddle. But fiddlers need accompanists and piano is one of the oldest traditional accompanying instruments for fiddle. This year we have several top notch teachers who will instruct in a variety of styles, Quebecois, Scottish and Cape Breton, old time New England, or just the “beginner level”.

It is recommended, but not required, that piano students bring your own keyboard!

Check out the bios below, look on the staff schedule to see who is on staff for which session and sign up here..

    June Weekend I (June 15-17)

  • David Stimson

    David Stimson began backing up country dance music on the guitar in 1965 at the age of eleven. During several summers the 1960s he attended Pinewoods cape with his family while his stepfather, Bob Guillard, taught Morris Dancing and English Country Dance. David's was first exposed to Contra Dance during the evening dances at Pinewoods; however, the disease remained latent until he learned English Concertina and joined the Woods Hole Folk Orchestra in1979. (more)
     

    June Week (June 17-22)

  • Rachel Aucoin

    After a frankly classical training including two Masters degrees (performance, UofM 2001 and piano pedagogy, UL, 2003), two first prizes at the prestigious Canadian Music Competition (1997 and 1998) and a solo performance of Beethoven's second with the Orchestre Symphonique de la Montérégie (1997), Rachel Aucoin specialises today in folk music accompaniment, since her first appearance at the Carrefour Mondial de l'Accordéon in 1999. She never imagined this apparently innocent performance would change her musical destiny. (more)
     

    June Weekend II (June 22-24)

  • Rachel Aucoin

    After a frankly classical training including two Masters degrees (performance, UofM 2001 and piano pedagogy, UL, 2003), two first prizes at the prestigious Canadian Music Competition (1997 and 1998) and a solo performance of Beethoven's second with the Orchestre Symphonique de la Montérégie (1997), Rachel Aucoin specialises today in folk music accompaniment, since her first appearance at the Carrefour Mondial de l'Accordéon in 1999. She never imagined this apparently innocent performance would change her musical destiny. (more)
     
  • David Stimson

    David Stimson began backing up country dance music on the guitar in 1965 at the age of eleven. During several summers the 1960s he attended Pinewoods cape with his family while his stepfather, Bob Guillard, taught Morris Dancing and English Country Dance. David's was first exposed to Contra Dance during the evening dances at Pinewoods; however, the disease remained latent until he learned English Concertina and joined the Woods Hole Folk Orchestra in1979. (more)
     

    August Week I (August 5-10)

  • Rachel Aucoin

    After a frankly classical training including two Masters degrees (performance, UofM 2001 and piano pedagogy, UL, 2003), two first prizes at the prestigious Canadian Music Competition (1997 and 1998) and a solo performance of Beethoven's second with the Orchestre Symphonique de la Montérégie (1997), Rachel Aucoin specialises today in folk music accompaniment, since her first appearance at the Carrefour Mondial de l'Accordéon in 1999. She never imagined this apparently innocent performance would change her musical destiny. (more)
     
  • Clayton Clemetson

    Clayton Clemetson was raised in the New England folk and contra dance traditions as both a dancer and a musician. After years of classical lessons he discovered a love for piano accompaniment at our very own Maine Fiddle Camp at age 11 and the music and community has been central in his life ever since. His style ranges from catchy contra dance grooves to expansive waltzes, influenced by Cape Breton and Irish music with a contemporary twist. (more)
     
  • Neil Pearlman

    Neil Pearlman is emerging as one of the traditional music scene's most innovative young artists. Legendary Cape Breton fiddler Jerry Holland said that "watching Neil's hands on the piano is like watching two spiders on crack!" His piano style is rooted in Cape Breton traditions while drawing on latin, jazz and funk influences. The result is a exciting new sound that remains true to its traditional roots. An accomplished Cape Breton step dancer and mandolinist as well, Neil grew up in the family band Highland Soles and (more)
     

    August Week II (August 12-17)

  • Neil Pearlman

    Neil Pearlman is emerging as one of the traditional music scene's most innovative young artists. Legendary Cape Breton fiddler Jerry Holland said that "watching Neil's hands on the piano is like watching two spiders on crack!" His piano style is rooted in Cape Breton traditions while drawing on latin, jazz and funk influences. The result is a exciting new sound that remains true to its traditional roots. An accomplished Cape Breton step dancer and mandolinist as well, Neil grew up in the family band Highland Soles and (more)