Jennifer Armstrong

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Visit Jennifer’s website (http://www.jenniferarmstrong.com/).
233 Poors Mill Road Belfast ME 04915 207-322-2265

Mia Bertelli

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Mia Bertelli grew up in the mountains of New Mexico, singing at every chance she could get. Her love of song led her to Vermont at the age of fifteen, where she dove into the polyphonic singing camps of Village Harmony like a penguin into the sea. Since then she has been filling kitchens, streets, concert halls, vegetable gardens, and public restrooms with song, both in the northeast and overseas. Her irrepressible inclination to harmonize and great love of playful nuance have mostly gotten her into all the right sorts of trouble, so she counts them among her blessings.   (more…)

Aidan Boardman

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Baron Collins-Hill

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Baron grew up playing the mandolin in Maine and recently graduated from Hampshire College in Amherst, Massachusetts with a degree in music performance and ethnomusicology. Versed in traditional fiddle music, bluegrass, and jazz, he is known for his rhythmic experimentation and unique harmonic sense on both the mandolin and the tenor guitar. Baron plays with fiddler Julia Plumb in their duo Velocipede(www.velocipedemusic.com).

Sandy Davis

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Sandy has been playing for contra dances for nearly 50 years.  In the 1970’s, he was a founding member of the Roaring Jelly dance band (which is still going strong) and the Common Ground quintet.  Back then, he also played occasionally with Dudley Laufman and the Canterbury Country Dance Orchestra.  He subsequently spent over 20 years as the founder and director of two long-standing community contra dance bands, both of which are also still playing for monthly dances:  the Berlin Country Dance Orchestra (Berlin, MA), and Oh, CONTRAire! (Westford, MA).  (more…)

Jim DiCarlo

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A self-described “tune hound,” Jim DiCarlo has been playing Irish music on whistle and wooden flute for contra dances, at sessions, and in the hallways of music festivals for the past 25 years.  He loves learning new tunes and has even composed a few of passable quality.  A long-time member of the Maine-based, not-entirely-traditional group Wake the Neighbors, he played alongside Lissa Schneckenburger, John Cote, Jessie & Greg Boardman, Ed Howe, Anthony Shostak and Alfred Lund.  (more…)

Louisa Engle

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Louisa started playing violin as and eight-year-old through her public school’s strings program. In high school, she taught private violin lessons to younger students. Her music became more fiddley by the day. As a sophomore at Marlboro College, she founded a contra dance band, named “Wendy and the Lost Boys” by their admirers. The band studied with musician Keith Murphy. Louisa then hosted a monthly contra dance series that ran for four years. (more…)

Liz Faiella

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An Irish fiddler with New England contradance flair and classical sensitivities, Liz Faiella has captivated audiences at premier folk venues, contradances, and festivals around New England. (more…)

Dan Faiella

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Dan Faiella specializes in fingerstyle arrangements of traditional Celtic tunes and songs. He is also in high demand as an accompanist for traditional Irish, Cape Breton, and New England contradance groups.  Dan has performed at the Capitol Center for the Arts, the Boston Celtic Music Festival, and the New Hampshire Statehouse. He has studied with folk musician David Surette and classical and jazz guitarist David Newsam. Dan has also had the opportunity to learn from top-notch Irish and New England folk musicians including flute player Shannon Heaton, guitarist Owen Marshall, and fiddler Lissa Schneckenburger.

To hear music from his duo project with his sister Liz Faiella, visit www.lizanddanmusic.com.

Éric Favreau

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Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. (more…)