June Weekend I
Visit Jennifer’s website (http://www.jenniferarmstrong.com/).
233 Poors Mill Road Belfast ME 04915 207-322-2265
Mia Bertelli grew up in the mountains of New Mexico, singing at every chance she could get. Her love of song led her to Vermont at the age of fifteen, where she dove into the polyphonic singing camps of Village Harmony like a penguin into the sea. Since then she has been filling kitchens, streets, concert halls, vegetable gardens, and public restrooms with song, both in the northeast and overseas. Her irrepressible inclination to harmonize and great love of playful nuance have mostly gotten her into all the right sorts of trouble, so she counts them among her blessings. (more…)
Jessie fiddles for contra and family dances across New England, and she sometimes sneaks the cello into dance sets. Jessie teaches fiddle to all ages at Maine Fiddle Camp, Sandy Island Suzuki Camp, at workshops, and in her private studio. Dancing her first contra dance as a child to the band Swallowtail in New Hampshire, Jessie later moved to Maine, where she happily resides. Jessie can be reached at (207) 344-3106.
Baron grew up playing the mandolin in Maine and graduated from Hampshire College with a degree in music performance and ethnomusicology. Versed in traditional music, bluegrass, and jazz, he is known for his rhythmic experimentation and unique harmonic sense on both the mandolin and the tenor guitar. Baron plays with fiddler Julia Plumb in their duo Velocipede and runs MandoLessons, a website offering free online mandolin lessons.
A self-described “tune hound,” Jim DiCarlo has been playing Irish music on whistle and wooden flute for contra dances, at sessions, and in the hallways of music festivals for the past 25 years. He loves learning new tunes and has even composed a few of passable quality. A long-time member of the Maine-based, not-entirely-traditional group Wake the Neighbors, he played alongside Lissa Schneckenburger, John Cote, Jessie & Greg Boardman, Ed Howe, Anthony Shostak and Alfred Lund. (more…)
Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. (more…)
Ellen Gawler is a celebrated fiddler, masterful in many styles, including Irish, French-Canadian, Maritime, Shetland and New England. Her fiddling possesses sparkling clarity, authentically rooted in tradition while at the same time inventive and playful. Her lively delivery of traditional fiddling has sent many a contra dance hall into whirling delight with soaring melodies and driving rhythms. (more…)
Elsie Gawler is a multi-instrumentalist and songster rooted in Maine’s traditional folk music and culture. With her family, the Gawler Family Band, she has played throughout the state and beyond, sharing traditional fiddle tunes, songs, and original works since she was 6 years old. From this foundation she has branched out and launched her debut solo album, Sweet As Honey. The album is a collection of 9 original songs inspired by sacred connection to earth and community. While continuing to play regularly with The Gawler Family Band, her other projects include duo Elsie & Ethan, and trio The Gawler Sisters. She has also been a long-time member of the group Childsplay. (more…)
Jim Joseph, from Phippsburg,ME, was actually on staff a couple years ago for the inaugural June week. That was before we had an actual accordion track, and now he is back as an accordion teacher. Jim plays button accordion in the Quebecois, New England, and Cajun styles and also plays 5 string banjo, mandolin, fiddle, percussion (foot and otherwise) and is a member of several Maine bands including, T-Acadie, Scrod Pudding, and JimmyJo and the Jumbol’ayuhs, with Fiddle Camp staffers Pam Weeks and Bill Olson. Jim plays single row Cajun accordions (built by Marc Savoy and Junior Martin) and a 2 row Saltarelle D/G box. Here are some videos of Jim in action: A Cajun song with the Jumbol’Ayuhs, and a set of Quebecois reels with T-Acadie.
One of the most in demand upright bass, and five-string banjo players on the US contradance circuit, Stuart Kenney’s regional musical interests sweep from Southwest Louisiana to Acadia. He has a long career in many traditional music genres. His interest in Quebecois music formed through the fiddling of Lisa Ornstein, and performances by La Bottine Souriante. The inclusion of French Canadian music into the living tradition of New England contradance music caught his attention early on. (more…)
Bennett Konesni grew up in Appleton, Maine, 10 miles downstream of Maine Fiddle Camp. He was naturally drawn into the strong communities of old-time music, sailing, and farming in the area. At thirteen he shipped as a deckhand aboard local schooners, sailing Penobscot Bay and learning the traditional work songs of the tall ships as he raised sails and hauled anchor. Later, at Middlebury College, Bennett co-founded the student farm and spent six months studying Zulu farming songs in South Africa. (more…)
Glen gives private lessons for mandolin and tenor banjo from his home in Portland, ME, and plays for contradances throughout the Northeast, and at festivals across the country with bands such as Frigate, Steampacket, Riptide, and Stomp Rocket. Visit Glen at www.glenloper.com.
49 Brackett St, Portland ME, 04102
Elaine Malkin has played the violin since the age of 5. She was part of the resurgence of contra dances in Maine in the early 70’s, having learned from Otto Soper and Dudley Laufman. She played New England contra dances until 2009, when she began an intensive study of Québécois fiddle with mainly Éric Favreau, but also with Lisa Ornstein, André Brunet, Yvon Mimeault, and Liette Remon. This music has completely captured her heart and she uses a traditional Québécois repertoire for contra dances, concerts, and other venues. Learning, teaching, and sharing this special music is her greatest joy.
Vogue magazine calls musician Owen Marshall “A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot” (Vogue 2009). With the music traditions of Quebec and Nova Scotia just over the border from his home in Vermont and the strong Irish musical scene of Boston to the south, Owen was immersed in the various textures and sounds of the Celtic music from an early age. In addition to touring with acts such as The Seamus Egan Project, Copley Street, Riptide, and The Press Gang. Owen is in demand at music camps throughout New England and the U.S., where he shares his approach to accompanying traditional music. www.owenmarshallmusic.com
Steve Muise has been fiddling his family’s Downeast Style for many years. (His parents are 1st and 2nd generation Nova Scotians) He founded the Franklin County Fiddlers, a group of high school musicians that tours around Maine and way beyond displaying, promoting and learning about fiddle styles. Steve is a graduate of Berklee College of Music, and is a stringed instrument teacher in the MBRSD schools (Farmington area). Steve was honored with the “Maine Music Educator of the Year” award in 2007 from MMEA. Steve enjoys playing all styles, ranging from Downeast (maritime), Québécois, Celtic, and jazz, and can be seen playing music with his dad Paul, Boréal Tordu, Frigate, Muisette and the Franklin County (more…)
Helen Newell is a fiddler hailing from the depths of Maine Fiddle Camp–she started playing violin at age 3, and grew up immersed in the folk world. Her parents, Kaity and Carter Newell are founding members of MFC, and Helen spent her entire childhood at camps, concerts, and contra dances.
Recently graduated from Berklee College of Music, Helen Newell pursued a Violin Performance major with a minor in American Roots. She was able to study with notable professors while at Berklee, including legendary Old-Time fiddler Bruce Molsky, jazz violinist Jason Anick, Arabic violinist Simon Shaheen, Turkish, Greek, Middle Eastern (and many others) violinist Beth Bahia Cohen, as well as violinist Mimi Rabson, Sharan Leventhal, Rob Thomas, and cellist Eugene Friesen. These amazing mentors have helped her expand her musical repertoire and technique and develop into a performer, composer and collaborator.
Helen has an active performing life, playing in orchestras, musicals, recording sessions, chamber groups, and bands. She has also been composing orchestral pieces—her most recent composition “7:08” was performed by Berklee World Strings in April 2022.
Another important aspect of Helen’s musical life is teaching. Helen is a certified Suzuki Method teacher, and she teaches both virtual and in-person violin lessons to a wide range of students. Because of her vast repertoire of styles, she likes to bring that exploration to her students and help them explore the world of different styles, repertoire, technique, improvisation, recording, and composing/arranging.
John started his early musical life as a drummer, but by some miracle got hooked on traditional music in his teens.
John’s been teaching fiddle and harmonica at MF Camp since its start in the mid 90’s. He’s been known to get a few silly skits going for the evening variety show. He teaches fiddle, guitar and harmonica privately and can be contacted at firstname.lastname@example.org 338-0296 (cell 213-3294).
Doug likes to play the “old-time piano” for dances, melodramas, honky tonk saloons, and silent movies. He learned his style from Otto Soper, Geneva Walton, and Danny Patt among many others. He plays with Old Grey Goose and produced all three of their recordings, including the group’s first recording in 1978 for Folkways, “Old Time Country Dance Tunes and Songs from Maine”, now available again on CD. Doug also plays piano, accordion, and fiddle. He is the Camp Director again this year.
116 Pleasant Cove Dr. Woolwich ME 04579 207-522-3800
Kenny first picked up a ukulele at age 8, when a family friend bought him one. Now 50 plus years later, he’s not half bad! He’s got a menagerie of them, from soprano to baritone, and plays a variety of styles, swing music being his favorite. Kenny has been an actor and physical comedian for 35 years, and has performed internationally, as well as on Broadway. He also starred as the lead clown in Cirque du Soleil’s Nouvelle Experience. He and Francis Berks make the acoustic duo The Doppelgangers.
Maggie Robinson has been teaching fiddle since 2003. She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year. Many years later she discovered Contradancing and fell in love with the music She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”.
Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol’Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes.
Fred ‘s (guitar, percussion, vocals) musical debut occurred on the floor of his parents’ kitchen, surrounded by pots and pans, long before he ever heard of Ginger Baker or Gene Krupa. For the most recent 45 years he has been performing and recording oldtime, string band, hillbilly, rockabilly, blues, bluegrass, jazz, swing, minstrels, ragtime and Americana music. His trio, Waxlips, made award winning waves in North Carolina in the mid-80’s and (more…)