Jennifer ArmstrongVisit Jennifer's website (http://www.jenniferarmstrong.com/). 233 Poors Mill Road Belfast ME 04915 207-322-2265
Rachel AucoinAfter a frankly classical training including two Masters degrees (performance, UofM 2001 and piano pedagogy, UL, 2003), two first prizes at the prestigious Canadian Music Competition (1997 and 1998) and a solo performance of Beethoven's second with the Orchestre Symphonique de la Montérégie (1997), Rachel Aucoin specialises today in folk music accompaniment, since her first appearance at the Carrefour Mondial de l'Accordéon in 1999. She never imagined this apparently innocent performance would change her musical destiny. (more)
Greg BoardmanGreg is the founder of Maine Fiddle Camp and has been a major inspiration for many fiddlers over the last three and a half decades throughout all of Maine. He has steered a career in folk music by playing for concerts and dances, especially by learning the regional "DownEast" fiddling style from the likes of Otto Soper and Simon St. Pierre, and by teaching music and fiddling in the Auburn area. Contact Greg at bowandstring @ gmail.com. Also see gregboardman.bandcamp.com and soundcloud.com/bowandstring.
Jessie BoardmanJessie fiddles for contra and family dances across New England, and she sometimes sneaks the cello into dance sets. Jessie teaches fiddle to all ages at Maine Fiddle Camp, Sandy Island Suzuki Camp, at workshops, and in her private studio. Dancing her first contra dance as a child to the band Swallowtail in New Hampshire, Jessie later moved to Maine, where she happily resides. Jessie can be reached at (207) 344-3106.
Baron Collins-HillBaron grew up playing the mandolin in Maine and recently graduated from Hampshire College in Amherst, Massachusetts with a degree in music performance and ethnomusicology. Versed in traditional fiddle music, bluegrass, and jazz, he is known for his rhythmic experimentation and unique harmonic sense on both the mandolin and the tenor guitar. Baron plays with fiddler Julia Plumb in their duo Velocipede(www.velocipedemusic.com).
John CotéGuitarist John Coté has been performing for contra dances since he first fell in love with this pastime back in 1995. John did his music studies at the Berklee College of Music in Boston as well as the University of Maine at Augusta and incorporates a variety of influences in addition to what he has absorbed through the music of New England contra dance. Bringing his love of community and potent dance music, John has earned national recognition on the contra dance circuit, touring the United States with fiddler and fellow Maine Fiddle Camp instructor Ed Howe in their duo, Perpetual e-Motion. (more)
Louisa EngleLouisa started playing violin as and eight-year-old through her public school's strings program. In high school, she taught private violin lessons to younger students. Her music became more fiddley by the day. As a sophomore at Marlboro College, she founded a contra dance band, named "Wendy and the Lost Boys" by their admirers. The band studied with musician Keith Murphy. Louisa then hosted a monthly contra dance series that ran for four years. (more)
Éric FavreauÉric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. As an individual, and in various groups including Entourloupe, Éric has vast experience in (more)
Ellen GawlerEllen Gawler is a celebrated fiddler, masterful in many styles, including Irish, French-Canadian, Maritime, Shetland and New England. Her fiddling possesses sparkling clarity, authentically rooted in tradition while at the same time inventive and playful. Her lively delivery of traditional fiddling has sent many a contra dance hall into whirling delight with soaring melodies and driving rhythms. (more)
Molly GawlerMolly Gawler grew up on Buttermilk Hill on a small farm in Maine. She plays fiddle, banjo and sings in the “Gawler Family Band” as well as her trio of sisters, “The Gawler Sisters.” She grew up playing music with the traditional roots passed on to her from her Mom and Dad - Ellen and John Gawler. Molly is also a professional dancer which has taken her around the world. At fiddle camp, Molly teaches the beginners, and often enjoys sharing movement of all kinds including dance and parkour.
Daniel HawkinsThe music of Boston-based cellist and composer Daniel Hawkins springs first of all from the dense forests, rolling hills, and crumbling cities of his childhood Pennsylvania. After leaving the Keystone State, Daniel earned undergraduate degrees in composition (studying with Paul Lansky, Steve Mackey, and Dan Trueman) and cello performance (Sophie Shao, Susannah Chapman) from Princeton University as well as a master's degree in contemporary improvisation from the New England Conservatory (Natasha Brofsky, John Mallia, Anthony Coleman, Tanya Kalmanovitch). (more)
Nancy 3. HoffmanNancy 3. Hoffman is a classically trained pianist and works nationally as a music theater director. She leads The Maine Squeeze accordion ensemble, playing international folk music. Her solo work includes international cabaret and her one-woman rendition of Gilbert and Sullivan's operetta The Mikado. She is also director and curator of the world's only Umbrella Cover Museum. Nancy 3. lives on Peaks Island and migrates to Key West, Florida for the winter. Her middle name is really 3.
Brad HurleyBrad Hurley has been playing traditional Irish music on whistle and wooden flute since the late 1970s, and has performed in dozens of concerts, weddings, dances, theater productions, and festivals in New England and eastern Canada. Brad has taught flute and whistle for many years, and his online guide to the Irish flute is a popular resource among flute players around the world. He currently performs on flute and 12-string guitar in a duo with his partner Claire Boucher, a traditional singer from southwestern Brittany. (more)
Sabin JacquesSabin Jacques began playing the accordion at age 14, deeply influenced by such musicians as Simard, Bruneau, Labbé Messervier and Montmarquette, he sought his originality in his unusual technique which gives him, as a left-handed player, a recognizable signature. Originally from the beautiful Gaspé peninsula, Sabin lived in Montreal between 1992-2009. This cosmopolite musical community allowed him to make significant acquaintances with musicians in the popular and commercial music domain. Sabin remains profoundly attached to his traditional roots and regularly takes part in pedagogical projects, teaching at camps such as the Leahy - Natalie MacMaster camp (ONT) and Ashokan (NY), to name a few. Since distance is not an obstacle for learning, Sabin teaches accordion at home through internet or weekly at the Maréemusique School of Traditional Music. His teaching is said to be uplifting and always inspiring. His most recent recordings (2007 and 2010) present traditional tunes from Quebec played through remarquable arrangements, with his fellow musicians from band Tidal Wave / Raz-de-marée, putting a highlight on his stunning technique and musicianship while confirming his status as one of Quebec's leading master accordionists.
Jim JosephJim Joseph, from Phippsburg,ME, was actually on staff a couple years ago for the inaugural June week. That was before we had an actual accordion track, and now he is back as an accordion teacher. Jim plays button accordion in the Quebecois, New England, and Cajun styles and also plays 5 string banjo, mandolin, fiddle, percussion (foot and otherwise) and is a member of several Maine bands including, T-Acadie, Scrod Pudding, and JimmyJo and the Jumbol'ayuhs, with Fiddle Camp staffers Pam Weeks and Bill Olson. Jim plays single row Cajun accordions (built by Marc Savoy and Junior Martin) and a 2 row Saltarelle D/G box. Here are some videos of Jim in action: A Cajun song with the Jumbol'Ayuhs, and a set of Quebecois reels with T-Acadie.
Stuart KenneyOne of the most in demand upright bass, and five-string banjo players on the US contradance circuit, Stuart Kenney's regional musical interests sweep from Southwest Louisiana to Acadia. He has a long career in many traditional music genres. His interest in Quebecois music formed through the fiddling of Lisa Ornstein, and performances by La Bottine Souriante. The inclusion of French Canadian music into the living tradition of New England contradance music caught his attention early on. (more)
Glen LoperGlen gives private lessons for mandolin and tenor banjo from his home in Portland, ME, and plays for contradances throughout the Northeast, and at festivals across the country with bands such as Frigate, Riptide, The Steampacket, and The Sharktones. Visit Glen at www.glenloper.com. 49 Brackett St, Portland ME, 04102 Phone: 207-837-8249 LINKS: "Frigate" , Riptide
Elaine MalkinElaine Malkin has played the violin since the age of five and prefers a clean, crisp, yet ripping, New England fiddle style. She was a part of the resurgence of contra dances in the early seventies in Maine, having learned from Otto Soper and Dudley Laufman. In her spare time she plays with horses, photography, and trains dogs for agility competitions. See the web site www.northstarsisters.com.
Owen MarshallVogue magazine calls musician Owen Marshall "A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot" (Vogue 2009). Owen has accompanied and collaborated with many of traditional music's top performers including Aoife Clancy, Liz Carroll, Darol Anger, John Doyle, Andrea Beaton, Jerry Holland, Ari & Mia Friedman and his own traditional Irish trio "The Press Gang". (more)
Eric McDonaldEric McDonald has been instructing and performing on the mandolin for a number of years. In addition to his experience in the world of traditional music, Eric spent two and a half years studying at Berklee College of Music in Boston, where he learned from some of the best including mandolinist John McGann and cellist Eugiene Friesen. Exposure to jazz and other styles come through in his playing. Eric has spent the last three years touring with bands such as The Dave Rowe Trio, Matching Orange, Jaded Mandolin and others. You can hear him on many independent recordings by Boston based artists, and you can catch him teaching at the Passim School of Music in Cambridge.
Kaity NewellKaity teaches fiddle in Damariscotta and has played for dances for many years with The Maine Country Dance Orchestra, and with the band The Lady Bugs. A native of Great Britain, Kaity has brought many a fine tune from the British Isles to our local dances. Kaity also plays viola in the local community orchestra and has four children, all of whom play music and come to camp every year. 7 Creek Lane Damariscotta ME 044543 207-563-8440
Bill OlsonBill Olson teaches both guitar and upright bass at Maine Fiddle Camp. He is probably best known at home and abroad as a contradance caller and choreographer. Bill has played and called for dances in 25 states and his dance compositions, known for their high potential energy and excellent flow, and are called by contradance callers all over the world. Bill started playing guitar in 1958, dancing in 1976, calling in 1985, and playing bass in 1993. He has been singing all his life.
Julia PlumbJulia lives and teaches fiddle and clawhammer banjo in Belfast, Maine. Equally at home on the stage and on the dance floor, Julia loves the percussive interplay between traditional music and dance forms and has enjoyed soaking up bits and pieces from players and dancers throughout New England and in Québec, Ireland, Brittany, and the southern Appalachians. Julia plays with Baron Collins-Hill in their duo Velocipede (www.velocipedemusic.com) and loves connecting people with music and dance. In addition to teaching at camps and in face-to-face lessons, Julia maintains freefiddlelessons.com, where she creates YouTube fiddle lesson videos and learning materials. Julia has achieved her 2010 goal to make her life more like Maine Fiddle Camp!
John PranioJohn started his musical life as a drummer before the age of ten, but through the encouragement of "his poor mother," took up the quieter acoustic guitar in his teens. In high school John met a banjo player and was encouraged to try the fiddle. He was quickly hooked, and by the age of 20 began playing his "rhythmic" style of fiddling for contra dances around New York and New Jersey. In 1989 John moved to Maine and within a few years started the North Whitefield Contra dance with his wife Toki Oshima, and caller Ted Sannella. (more)
Doug ProtsikDoug likes to play the "old-time piano" for dances, melodramas, honky tonk saloons, and silent movies. He learned his style from Otto Soper, Geneva Walton, and Danny Patt among many others. He plays with Old Grey Goose and produced all three of their recordings, including the group’s first recording in 1978 for Folkways, "Old Time Country Dance Tunes and Songs from Maine", now available again on CD. Doug also plays piano, accordion, and fiddle. He is the Camp Director again this year. 116 Pleasant Cove Dr. Woolwich ME O4579 207-443-5411
Alden RobinsonAlden Robinson learned to play the fiddle as a child growing up in coastal Maine. His earliest lessons came from Tamora Goltz, Katie Newell, and from the teachers at Maine Fiddle Camp. In college, he studied Irish fiddle in Ireland at University College Cork, and in several pubs. For the past five years or so he has toured and recorded with The Press Gang, an Irish trad band from Portland. He also loves playing for contra dances and performs to several dance bands, including "Riptide", which features Owen Marshall and Glen Loper. (more)
Junior StevensSince first picking up the squeezebox in 1997, Junior has become a fixture in the Irish Traditional Music scene in America. Performing on Button Accordion and Anglo Concertina, he has honed his craft as an active promoter of traditional music, an inspiring teacher, and a natural performer. He combines a deep respect for the raw energy inherent in centuries old traditions, with a constantly evolving appreciation for modern music. He holds a BA in Music from UMass Lowell, and is currently on faculty at the Comhaltas Ceoltóir Éireann Boston Music School. He regularly performs with Maine based ensembles The Press Gang, The Milliners, and Sylvain's Acadian Aces. Website:www.juniorstevens.com.
David StimsonDavid Stimson began backing up country dance music on the guitar in 1965 at the age of eleven. During several summers the 1960s he attended Pinewoods cape with his family while his stepfather, Bob Guillard, taught Morris Dancing and English Country Dance. David's was first exposed to Contra Dance during the evening dances at Pinewoods; however, the disease remained latent until he learned English Concertina and joined the Woods Hole Folk Orchestra in1979. (more)
Pam WeeksPam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol'Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes. Pam has toured throughout the U.S. with her bands, playing for contradances, concerts, and teaching at festivals and workshops. (more)