June Weekend II

Featuring:

  • Jennifer Armstrong

    Visit Jennifer's website (http://www.jenniferarmstrong.com/). 233 Poors Mill Road Belfast ME 04915 207-322-2265
     
  • Rachel Aucoin

    After a frankly classical training including two Masters degrees (performance, UofM 2001 and piano pedagogy, UL, 2003), two first prizes at the prestigious Canadian Music Competition (1997 and 1998) and a solo performance of Beethoven's second with the Orchestre Symphonique de la Montérégie (1997), Rachel Aucoin specialises today in folk music accompaniment, since her first appearance at the Carrefour Mondial de l'Accordéon in 1999. She never imagined this apparently innocent performance would change her musical destiny. (more)
     
  • Mia Bertelli

    Mia Bertelli grew up in the mountains of New Mexico, singing at every chance she could get. Her love of song led her to Vermont at the age of fifteen, where she dove into the polyphonic singing camps of Village Harmony like a penguin into the sea. Since then she has been filling kitchens, streets, concert halls, vegetable gardens, and public restrooms with song, both in the northeast and overseas. Her irrepressible inclination to harmonize and great love of playful nuance have mostly gotten her into all the right sorts of trouble, so she counts them among her blessings.   (more)
     
  • Greg Boardman

    Greg is the founder of Maine Fiddle Camp and has been a major inspiration for many fiddlers over the last three and a half decades throughout all of Maine. He has steered a career in folk music by playing for concerts and dances, especially by learning the regional "DownEast" fiddling style from the likes of Otto Soper and Simon St. Pierre, and by teaching music and fiddling in the Auburn area. Contact Greg at bowandstring @ gmail.com. Also see gregboardman.bandcamp.com and soundcloud.com/bowandstring.
     
  • Jessie Boardman

    Jessie fiddles for contra and family dances across New England, and she sometimes sneaks the cello into dance sets. Jessie teaches fiddle to all ages at Maine Fiddle Camp, Sandy Island Suzuki Camp, at workshops, and in her private studio. Dancing her first contra dance as a child to the band Swallowtail in New Hampshire, Jessie later moved to Maine, where she happily resides. Jessie can be reached at (207) 344-3106.
     
  • Baron Collins-Hill

    Baron grew up playing the mandolin in Maine and recently graduated from Hampshire College in Amherst, Massachusetts with a degree in music performance and ethnomusicology. Versed in traditional fiddle music, bluegrass, and jazz, he is known for his rhythmic experimentation and unique harmonic sense on both the mandolin and the tenor guitar. Baron plays with fiddler Julia Plumb in their duo Velocipede(www.velocipedemusic.com).
     
  • John Coté

    Guitarist John Coté has been performing for contra dances since he first fell in love with this pastime back in 1995. John did his music studies at the Berklee College of Music in Boston as well as the University of Maine at Augusta and incorporates a variety of influences in addition to what he has absorbed through the music of New England contra dance. Bringing his love of community and potent dance music, John has earned national recognition on the contra dance circuit, touring the United States with fiddler and fellow Maine Fiddle Camp instructor Ed Howe in their duo, Perpetual e-Motion. (more)
     
  • Corey DiMario

    Double-bassist Corey DiMario is one of the most sought after accompanists in the acoustic music scene. He has performed at major festivals and concert venues across North America, Europe and Australia. A diverse musician, Mr. DiMario adds rock solid, low-end accompaniment and driving rhythm to any musical situation. A founding member of the string band sensation Crooked Still, DiMario brings a diverse musical palette and energetic approach to an ensemble. (more)
     
  • Éric Favreau

    Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. As an individual, and in various groups including Entourloupe, Éric has vast experience in (more)
     
  • Ellen Gawler

    Ellen Gawler is a celebrated fiddler, masterful in many styles, including Irish, French-Canadian, Maritime, Shetland and New England. Her fiddling possesses sparkling clarity, authentically rooted in tradition while at the same time inventive and playful. Her lively delivery of traditional fiddling has sent many a contra dance hall into whirling delight with soaring melodies and driving rhythms. (more)
     
  • Elsie Gawler

    Elsie Gawler attended Maine Fiddle Camp as a camper for over 15 years and has since then transferred to teaching the cello at MFC. She grew up playing and singing traditional music with her mom, dad and two sisters and continues to play with them professionally as "The Gawler Family" band. While the cello is her main instrument she also plays fiddle and banjo. She lives in Monroe Maine where she is the co-owner of North Branch Farm, a farm where they raise a variety of crops and livestock.
     
  • Tamora Goltz

    Tamora has been playing the fiddle since the early 1980’s and teaching for more than two decades. She teaches a broad range of music and created the first strings program at Ashwood Waldorf school. She is currently part of the teaching staff at 317 Main Community Music Center. Tamora is primarily known for her music in the Irish/Celtic tradition and in the world of Contra Dance.   (more)

     
  • Frets Halligan

    Frets has been playing and teaching ukulele and guitar privately and in groups for many years. He was surprised that while he was rediscovering the ukulele, so was the rest of the world! Over the past few years the ukulele has been seen and played at Maine Fiddle Camp. Inspired from seeing the uke at camp, Frets offered a specialty workshop and formed the ukestra and things just took off. Frets has been a catalyst for community uke groups in Maine, including Belfast and Newport. He currently lives in Belfast and plays guitar and uke with the Belfast Bay Fiddlers. Email: email hidden; JavaScript is required or 207.992.3535.
     
  • Nancy 3. Hoffman

    Nancy 3. Hoffman is a classically trained pianist and works nationally as a music theater director. She leads The Maine Squeeze accordion ensemble, playing international folk music. Her solo work includes international cabaret and her one-woman rendition of Gilbert and Sullivan's operetta The Mikado. She is also director and curator of the world's only Umbrella Cover Museum. Nancy 3. lives on Peaks Island and migrates to Key West, Florida for the winter. Her middle name is really 3.
     
  • Sabin Jacques

    Sabin JacquesSabin Jacques began playing the accordion at age 14, deeply influenced by such musicians as Simard, Bruneau, Labbé Messervier and Montmarquette, he sought his originality in his unusual technique which gives him, as a left-handed player, a recognizable signature. Originally from the beautiful Gaspé peninsula, Sabin lived in Montreal between 1992-2009. This cosmopolite musical community allowed him to make significant acquaintances with musicians in the popular and commercial music domain.  Sabin remains profoundly attached to his traditional roots and regularly takes part in pedagogical projects, teaching at camps such as the Leahy - Natalie MacMaster camp (ONT) and Ashokan (NY), to name a few. Since distance is not an obstacle for learning, Sabin teaches accordion at home through internet or weekly at the Maréemusique School of Traditional Music. His teaching is said to be uplifting and always inspiring. His most recent recordings (2007 and 2010) present traditional tunes from Quebec played through remarquable arrangements, with his fellow musicians from band Tidal Wave / Raz-de-marée, putting a highlight on his stunning technique and musicianship while confirming his status as one of Quebec's leading master accordionists.
     
  • Jim Joseph

    Jim JosephJim Joseph, from Phippsburg,ME, was actually on staff a couple years ago for the inaugural June week. That was before we had an actual accordion track, and now he is back as an accordion teacher. Jim plays button accordion in the Quebecois, New England, and Cajun styles and also plays 5 string banjo, mandolin, fiddle, percussion (foot and otherwise) and is a member of several Maine bands including, T-Acadie, Scrod Pudding, and JimmyJo and the Jumbol'ayuhs, with Fiddle Camp staffers Pam Weeks and Bill Olson. Jim plays single row Cajun accordions (built by Marc Savoy and Junior Martin) and a 2 row Saltarelle D/G box. Here are some videos of Jim in action: A Cajun song with the Jumbol'Ayuhs, and a set of Quebecois reels with T-Acadie.
     
  • Stuart Kenney

    One of the most in demand upright bass, and five-string banjo players on the US contradance circuit, Stuart Kenney's regional musical interests sweep from Southwest Louisiana to Acadia. He has a long career in many traditional music genres. His interest in Quebecois music formed through the fiddling of Lisa Ornstein, and performances by La Bottine Souriante. The inclusion of French Canadian music into the living tradition of New England contradance music caught his attention early on. (more)
     
  • Glen Loper

    Glen gives private lessons for mandolin and tenor banjo from his home in Portland, ME, and plays for contradances throughout the Northeast, and at festivals across the country with bands such as Frigate, Riptide, The Steampacket, and The Sharktones. Visit Glen at www.glenloper.com. 49 Brackett St, Portland ME, 04102 Phone: 207-837-8249 LINKS: "Frigate" , Riptide
     
  • Elaine Malkin

    Elaine Malkin has played the violin since the age of five and prefers a clean, crisp, yet ripping, New England fiddle style. She was a part of the resurgence of contra dances in the early seventies in Maine, having learned from Otto Soper and Dudley Laufman. In her spare time she plays with horses, photography, and trains dogs for agility competitions. See the web site www.northstarsisters.com.
     
  • Eric McDonald

    Eric McDonald has been instructing and performing on the mandolin for a number of years. In addition to his experience in the world of traditional music, Eric spent two and a half years studying at Berklee College of Music in Boston, where he learned from some of the best including mandolinist John McGann and cellist Eugiene Friesen. Exposure to jazz and other styles come through in his playing. Eric has spent the last three years touring with bands such as The Dave Rowe Trio, Matching Orange, Jaded Mandolin and others. You can hear him on many independent recordings by Boston based artists, and you can catch him teaching at the Passim School of Music in Cambridge.
     
  • Nina Miller

    Nina began her love affair with the ukulele at the tender age of 8, after her parents went to Hawaii and brought back a sweet little soprano with painted Hula dancers. One night, after months of plucking and strumming, her brother stepped on that Hula gem, thus ending the happiest period of her life. Four decades later, on a whim (and to spite her brother), she picked it up again and started The FLUKES (Falmouth Library Ukulele Society) and has been blissfully plucking, strumming and singing once again, along with 30 of her new best friends. When not parading around with ukulele in hand, Nina can be found tooting her own French horn in the Portland Symphony Orchestra. You can reach Nina at: email hidden; JavaScript is required or 207-774-0717
     
  • Bill Olson

    Bill Olson teaches both guitar and upright bass at Maine Fiddle Camp. He is probably best known at home and abroad as a contradance caller and choreographer. Bill has played and called for dances in 25 states and his dance compositions, known for their high potential energy and excellent flow, and are called by contradance callers all over the world. Bill started playing guitar in 1958, dancing in 1976, calling in 1985, and playing bass in 1993. He has been singing all his life.
     
  • Julia Plumb

    Julia lives and teaches fiddle and clawhammer banjo in Belfast, Maine. Equally at home on the stage and on the dance floor, Julia loves the percussive interplay between traditional music and dance forms and has enjoyed soaking up bits and pieces from players and dancers throughout New England and in Québec, Ireland, Brittany, and the southern Appalachians. Julia plays with Baron Collins-Hill in their duo Velocipede (www.velocipedemusic.com) and loves connecting people with music and dance. In addition to teaching at camps and in face-to-face lessons, Julia maintains freefiddlelessons.com, where she creates YouTube fiddle lesson videos and learning materials. Julia has achieved her 2010 goal to make her life more like Maine Fiddle Camp!
     
  • John Pranio

    John started his musical life as a drummer before the age of ten, but through the encouragement of "his poor mother," took up the quieter acoustic guitar in his teens. In high school John met a banjo player and was encouraged to try the fiddle. He was quickly hooked, and by the age of 20 began playing his "rhythmic" style of fiddling for contra dances around New York and New Jersey.  In 1989 John moved to Maine and within a few years started the North Whitefield Contra dance with his wife Toki Oshima, and caller Ted Sannella. (more)
     
  • Doug Protsik

    Doug ProtsikDoug likes to play the "old-time piano" for dances, melodramas, honky tonk saloons, and silent movies. He learned his style from Otto Soper, Geneva Walton, and Danny Patt among many others. He plays with Old Grey Goose and produced all three of their recordings, including the group’s first recording in 1978 for Folkways, "Old Time Country Dance Tunes and Songs from Maine", now available again on CD. Doug also plays piano, accordion, and fiddle. He is the Camp Director again this year.  116 Pleasant Cove Dr. Woolwich ME O4579 207-443-5411
     
  • Sharon Pyne

    Sharon has been a student of tin whistle and wooden flute since 1977 when she attended the Willy Clancy Summer School while working in Ireland for the year. On her return to Boston to care for her grandmother, she studied with master flute players in the Hanafin /Cooley Comhalthus branch. She move to Maine to raise her children and became a member of the Portland Ceili Band and Ladies of the Lake. She runs a music studio in Bath, Maine where she teaches flute and whistle and Music Together. For a few months every year since 2000, she happily lives and breathes Maine Fiddle alongside director Doug Protsik.  Sharon can be contacted at email hidden; JavaScript is required or 207-522-3900.
     
  • Nicole Rabata

    Irish flutist Nicole Rabata is highly regarded both in and out of traditional music fields. She has toured America and Europe including appearances at International Flute Festivals in Stockholm and Lund (Sweden), Temple Bar Trad Fest in Dublin, the Hebridean Celtic Festival in Scotland, Interharmony International Music Festival in Bavaria, the National Flute Conventions in NYC and San Diego, WOMAD Festival in the UK and the Festival Interceltique du L’Orient in Brittany among others. (more)
     
  • Maggie Robinson

    Maggie Robinson has been teaching fiddle since 2003.  She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year.   Many years later she discovered Contradancing and fell in love with the music  She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”. Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
     
  • Lissa Schneckenburger

    A new England fiddler and folk singer, Lissa grew up in Maine as an active member of the folk music and dance community, where she cut her teeth as a musician at a very young age. She has continued to explore music throughout her life, leading to her graduation from The New England Conservatory of Music in Boston, Massachusetts (2001). Her list of mentors includes Greg Boardman, Alasdair Fraser, David Kaynor, and Hankus Netsky. While embracing a diverse pallet of musical influences, she still stays true to her New England roots. For more info on Lissa, check out her website at www.lissafiddle.com
     
  • David Stimson

    David Stimson began backing up country dance music on the guitar in 1965 at the age of eleven. During several summers the 1960s he attended Pinewoods cape with his family while his stepfather, Bob Guillard, taught Morris Dancing and English Country Dance. David's was first exposed to Contra Dance during the evening dances at Pinewoods; however, the disease remained latent until he learned English Concertina and joined the Woods Hole Folk Orchestra in1979. (more)
     
  • Bethany Waickman

    Bethany Waickman is a guitarist based out of Portland, Maine. She grew up in a musical family in the Adirondack Mountains of northern New York state. After college she spent some time traveling, hiking, and playing music in Ireland. Upon returning, she moved to Boston to focus on music. She co-founded the contra dance trio, Anadama, and is the guitarist for VT-based fiddler/singer Lissa Schneckenburger. (more)
     
  • Pam Weeks

    Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol'Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes. Pam has toured throughout the U.S. with her bands, playing for contradances, concerts, and teaching at festivals and workshops. (more)