Featuring:

• Jennifer Armstrong

  Visit Jennifer's website (http://www.jenniferarmstrong.com/). 233 Poors Mill Road Belfast ME 04915 207-322-2265
   

• Mia Bertelli

  Mia Bertelli grew up in the mountains of New Mexico, singing at every chance she could get. Her love of song led her to Vermont at the age of fifteen, where she dove into the polyphonic singing camps of Village Harmony like a penguin into the sea. Since then she has been filling kitchens, streets, concert halls, vegetable gardens, and public restrooms with song, both in the northeast and overseas. Her irrepressible inclination to harmonize and great love of playful nuance have mostly gotten her into all the right sorts of trouble, so she counts them among her blessings.   (more)
   

• Aidan Boardman

   

• Baron Collins-Hill

  Baron grew up playing the mandolin in Maine and recently graduated from Hampshire College in Amherst, Massachusetts with a degree in music performance and ethnomusicology. Versed in traditional fiddle music, bluegrass, and jazz, he is known for his rhythmic experimentation and unique harmonic sense on both the mandolin and the tenor guitar. Baron plays with fiddler Julia Plumb in their duo Velocipede(www.velocipedemusic.com).
   

• Andrea Cooper

  A trained teacher, Andrea Cooper has taught everything from computers to clawhammer banjo. Andrea caught the Irish music bug while she was living in Toronto. Since then, her tin whistle teaching and playing has taken her to places as far as Eek, Alaska and Weiser, Idaho. Andrea was the resident tin whistle teacher at Randal Bays' Friday Harbor Irish Music Week in the Pacific Northwest for 7 years where a student described her classes as “the icing on the Jackie Daley cake”. Andrea has been on staff at various music and dance camps including Pinewoods and Algoma Trad. She is thrilled to be back at Maine Fiddle Camp.
   

• Sandy Davis

  Sandy has been playing for contra dances for nearly 50 years.  In the 1970’s, he was a founding member of the Roaring Jelly dance band (which is still going strong) and the Common Ground quintet.  Back then, he also played occasionally with Dudley Laufman and the Canterbury Country Dance Orchestra.  He subsequently spent over 20 years as the founder and director of two long-standing community contra dance bands, both of which are also still playing for monthly dances:  the Berlin Country Dance Orchestra (Berlin, MA), and Oh, CONTRAire! (Westford, MA).  He has recorded with a number of traditional musicians, including Tony Saletan, Jay Unger, Jerry Robichaud, and Trapezoid.  He has also played for many well-know dance callers, including Dudley Laufman, Ted Sanella, Larry Jenkins, Tony Parkes, Lisa Greenleaf, and Sue Rosen. For the past 20 years, Sandy has enjoyed bringing horns back into the instrumental mix of contra dance bands.  (In the 1940’s and 50s, New England contra dance bands commonly incorporated horns as lead melody instruments.)  He delights in playing traditional dance melodies note-for-note on his saxophone. (more)
   

• Corey DiMario

  Double-bassist Corey DiMario is one of the most sought after accompanists in the acoustic music scene. He has performed at major festivals and concert venues across North America, Europe and Australia. A diverse musician, Mr. DiMario adds rock solid, low-end accompaniment and driving rhythm to any musical situation. A founding member of the string band sensation Crooked Still, DiMario brings a diverse musical palette and energetic approach to an ensemble. (more)
   

• Éric Favreau

  Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. As an individual, and in various groups including Entourloupe, Éric has vast experience in (more)
   

• George Fowler

  George trained classically as a youngster and started fiddling in the late 1970’s, learning tunes from lobsterman and folk fiddler Albert Collins of South Blue Hill, Maine. He was a founding member of Oakum Bay String Band (1981-2011), the long-time host band for the monthly Blue Hill contradance, which had a remarkable 34 year run (1976-2010). In addition to playing and teaching the fiddle tunes of Maine, Appalachia and the Canadian Maritimes, George also has a strong interest in Irish traditional music. (more)
   

• Mary Fraser

  Mary Fraser began her musical life by training in classical violin for thirteen years, concluding with a Suzuki method violin teacher certification.  She then left the classical music world and traveled extensively throughout the UK, immersing in the traditional music of her heritage.  Carrying right on into the southern US states to study the old time fiddle styles of eastern Kentucky, West Virginia and North Carolina.  (more)
   

• Ellen Gawler

  Ellen Gawler is a celebrated fiddler, masterful in many styles, including Irish, French-Canadian, Maritime, Shetland and New England. Her fiddling possesses sparkling clarity, authentically rooted in tradition while at the same time inventive and playful. Her lively delivery of traditional fiddling has sent many a contra dance hall into whirling delight with soaring melodies and driving rhythms. (more)
   

• Elsie Gawler

  Elsie Gawler attended Maine Fiddle Camp as a camper for over 15 years and has since then transferred to teaching the cello at MFC. She grew up playing and singing traditional music with her mom, dad and two sisters and continues to play with them professionally as "The Gawler Family" band. While the cello is her main instrument she also plays fiddle and banjo. She lives in Monroe Maine where she is the co-owner of North Branch Farm, a farm where they raise a variety of crops and livestock.
   

• Ed Howe

  Born into a musical family, Ed started playing fiddle at the age of 4, learning Suzuki method. His musical interests cover a wide spectrum from Bluegrass to Celtic and beyond and he has been a regular instructor for Maine Fiddle Camp since 2003. Howe has an extensive electronics background, and took an interest in the electric violin. He plays a 5-string NS Design electronic violin and is a featured artist on the NS design artist page. (more)
   

• McKinley James

  McKinley James is a cellist studying at New England Conservatory. After years with the Vermont Youth Orchestra, she joined the Boston Youth Symphony, and then the premier youth orchestra led by Ben Zander, the Boston Philharmonic Youth Orchestra. With the BPYO, she toured Europe twice, playing in concert halls such as the Berlin Philharmonie and at the Alhambra in Spain. She has also played with the Portsmouth Symphony Orchestra, Middlebury College Orchestra, and the New England Conservatory Symphony, she also soloed with the Champlain Philharmonic Orchestra. She was principal of the Vermont All State Orchestra sophomore year and won the All States Scholarship that year. She now studies with Yeesun Kim at the New England Conservatory. (more)
   

• Stuart Kenney

  

  One of the most in demand upright bass, and five-string banjo players on the US contradance circuit, Stuart Kenney's regional musical interests sweep from Southwest Louisiana to Acadia. He has a long career in many traditional music genres. His interest in Quebecois music formed through the fiddling of Lisa Ornstein, and performances by La Bottine Souriante. The inclusion of French Canadian music into the living tradition of New England contradance music caught his attention early on. (more)

   

• Bennett Konesni

  Bennett Konesni grew up in Appleton, Maine, 10 miles downstream of Maine Fiddle Camp.  He was naturally drawn into the strong communities of old-time music, sailing, and farming in the area.  At thirteen he shipped as a deckhand aboard local schooners, sailing Penobscot Bay and learning the traditional work songs of the tall ships as he raised sails and hauled anchor.  Later, at Middlebury College, Bennett co-founded the student farm and spent six months studying Zulu farming songs in South Africa.  (more)
   

• Glen Loper

  Glen gives private lessons for mandolin and tenor banjo from his home in Portland, ME, and plays for contradances throughout the Northeast, and at festivals across the country with bands such as Frigate, Riptide, The Steampacket, and The Sharktones. Visit Glen at www.glenloper.com. 49 Brackett St, Portland ME, 04102 Phone: 207-837-8249 LINKS: "Frigate" , Riptide
   

• Elaine Malkin

  Elaine Malkin has played the violin since the age of 5. She was part of the resurgence of contra dances in Maine in the early 70's, having learned from Otto Soper and Dudley Laufman. She played New England contra dances until 2009, when she began an intensive study of Québécois fiddle with mainly Éric Favreau, but also with Lisa Ornstein, André Brunet, Yvon Mimeault, and Liette Remon. This music has completely captured her heart and she uses a traditional Québécois repertoire for contra dances, concerts, and other venues. Learning, teaching, and sharing this special music is her greatest joy.
   

• Owen Marshall

  Vogue magazine calls musician Owen Marshall "A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot" (Vogue 2009). Owen has accompanied and collaborated with many of traditional music's top performers including Aoife Clancy, Liz Carroll, Darol Anger, John Doyle, Andrea Beaton, Jerry Holland, Ari & Mia Friedman and his own traditional Irish trio "The Press Gang". (more)
   

• Sylvia Miskoe

  A new Hampshire native, Sylvia has been playing her accordion since college where she began playing for square and contra dancing. Today she plays for contra dancing but also Scottish and English Country Dance. Sylvia was one of the founders of the Strathspey & Reel Society of New Hampshire, a group devoted to learning about and playing Scottish music, open to all ages and abilities and was their music director for 7 years. She says the one thing better than sitting on stage and playing for dancing is helping others learn how to play for dancing.
   

• Steve Muise

  Steve Muise has been fiddling his family's Downeast Style for many years. (His parents are 1st and 2nd generation Nova Scotians) He founded the Franklin County Fiddlers, a group of high school musicians that tours around Maine and way beyond displaying, promoting and learning about fiddle styles. Steve is a graduate of Berklee College of Music, and is a stringed instrument teacher in the MBRSD schools (Farmington area). Steve was honored with the "Maine Music Educator of the Year" award in 2007 from MMEA. Steve enjoys playing all styles, ranging from Downeast (maritime), Québécois, Celtic, and jazz, and can be seen playing music with his dad Paul, Boréal Tordu, Frigate, Muisette and the Franklin County (more)
   

• Helen Newell

   

• Kaity Newell

  Kaity teaches fiddle in Damariscotta and has played for dances for many years with The Maine Country Dance Orchestra, and with the band The Lady Bugs. A native of Great Britain, Kaity has brought many a fine tune from the British Isles to our local dances. Kaity also plays viola in the local community orchestra and has four children, all of whom play music and come to camp every year. 7 Creek Lane Damariscotta ME 044543 207-563-8440
   

• Bill Olson

  Bill Olson teaches both guitar and upright bass at Maine Fiddle Camp. He is probably best known at home and abroad as a contradance caller and choreographer. Bill has played and called for dances in 25 states and his dance compositions, known for their high potential energy and excellent flow, and are called by contradance callers all over the world. Bill started playing guitar in 1958, dancing in 1976, calling in 1985, and playing bass in 1993. He has been singing all his life.
   

• Hannah Otten

  Hannah Otten grew up in upstate New York, living both near the banks of the Hudson River and within the Catskill Mountains. She began playing classical viola at the age of 9, picked up a violin at age 15, arrived at Maine Fiddle Camp, and kept on playing traditional fiddle styles from there. Hannah has a clear and playful teaching style that serves camp well as a member of the beginner team. (more)
   

• Neil Pearlman

  Neil Pearlman is emerging as one of the traditional music scene's most innovative young artists. Legendary Cape Breton fiddler Jerry Holland said that "watching Neil's hands on the piano is like watching two spiders on crack!" His piano style is rooted in Cape Breton traditions while drawing on latin, jazz and funk influences. The result is a exciting new sound that remains true to its traditional roots. An accomplished Cape Breton step dancer and mandolinist as well, Neil grew up in the family band Highland Soles and (more)
   

• Julia Plumb

  Julia lives and teaches fiddle and clawhammer banjo in Belfast, Maine. Equally at home on the stage and on the dance floor, Julia loves the percussive interplay between traditional music and dance forms and has enjoyed soaking up bits and pieces from players and dancers throughout New England and in Québec, Ireland, Brittany, and the southern Appalachians. Julia plays with Baron Collins-Hill in their duo Velocipede (www.velocipedemusic.com) and loves connecting people with music and dance. In addition to teaching at camps and in face-to-face lessons, Julia maintains freefiddlelessons.com, where she creates YouTube fiddle lesson videos and learning materials. Julia has achieved her 2010 goal to make her life more like Maine Fiddle Camp!
   

• John Pranio

  John started his early musical life as a drummer (yes, he admits it) but by some miracle got hooked on traditional music in his teens. Upon moving to Maine in1989, he helped establish the North Whitefield Contra Dance with famed caller Ted Sannella and the bands Calliope and The Usual Suspects, and continues playing for dances today with Henry Road and Sassafras Stomp. Since moving to Belfast in 2017, he has joined the Leaky Boot Jug Band on fiddle and harmonica. (more)
   

• Doug Protsik

  Doug likes to play the "old-time piano" for dances, melodramas, honky tonk saloons, and silent movies. He learned his style from Otto Soper, Geneva Walton, and Danny Patt among many others. He plays with Old Grey Goose and produced all three of their recordings, including the group’s first recording in 1978 for Folkways, "Old Time Country Dance Tunes and Songs from Maine", now available again on CD. Doug also plays piano, accordion, and fiddle. He is the Camp Director again this year.  116 Pleasant Cove Dr. Woolwich ME O4579 207-443-5411
   

• Sharon Pyne

  Sharon has been a student of tin whistle and wooden flute since 1977 when she attended the Willy Clancy Summer School while working in Ireland for the year. On her return to Boston to care for her grandmother, she studied with master flute players in the Hanafin /Cooley Comhalthus branch. She move to Maine to raise her children and became a member of the Portland Ceili Band and Ladies of the Lake. She runs a music studio in Bath, Maine where she teaches flute and whistle and Music Together. For a few months every year since 2000, she happily lives and breathes Maine Fiddle alongside director Doug Protsik.  Sharon can be contacted at sharonpynemusic@gmail.com or 207-522-3900.
   

• Mark Roberts

  Mark Roberts has been part of a number of groundbreaking bands in traditional music including; The Red Clay Ramblers, Touchstone, The Sevens, The Clayfoot Strutters and Childsplay. His flute and whistle playing also features prominently in the soundtrack to John Sayles’s film The Secret of Roan Inish.  Mark can be heard on numerous recordings including his duo recording with Dan Compton, The High Caul Cap.  Mark is excited to be helping out with the whistle class at this years MFC, you can also find him and his mop in the dinning hall after lunch, don’t worry there are plenty of mops.
   

• Alden Robinson

  Alden Robinson learned to play the fiddle as a child growing up in coastal Maine. His earliest lessons came from Tamora Goltz, Katie Newell, and from the teachers at Maine Fiddle Camp. In college, he studied Irish fiddle in Ireland at University College Cork, and in several pubs. For the past five years or so he has toured and recorded with The Press Gang, an Irish trad band from Portland. He also loves playing for contra dances and performs to several dance bands, including "Riptide", which features Owen Marshall and Glen Loper. (more)
   

• Maggie Robinson

  Maggie Robinson has been teaching fiddle since 2003.  She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year.   Many years later she discovered Contradancing and fell in love with the music  She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”. Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
   

• Nolan Rogers

   

• Lissa Schneckenburger

  A new England fiddler and folk singer, Lissa grew up in Maine as an active member of the folk music and dance community, where she cut her teeth as a musician at a very young age. She has continued to explore music throughout her life, leading to her graduation from The New England Conservatory of Music in Boston, Massachusetts (2001). Her list of mentors includes Greg Boardman, Alasdair Fraser, David Kaynor, and Hankus Netsky. While embracing a diverse pallet of musical influences, she still stays true to her New England roots. For more info on Lissa, check out her website at www.lissafiddle.com
   

• Julie Vallimont

  

  Julie Vallimont performs nationwide on piano and accordion with the bands Buddy System and Nor’easter and other collaborations.  She plays for contra, English, and French dancing.   A former classical pianist and organist, she fell in love with traditional music and dance, and since then has gone on to perform at numerous festivals and music camps.  Drawing on teaching skills developed over fifteen years as a natural science educator, Julie enjoys teaching and leading workshops. 

   

• Bethany Waickman

  Bethany Waickman is a guitarist based out of Portland, Maine. She grew up in a musical family in the Adirondack Mountains of northern New York state. After college she spent some time traveling, hiking, and playing music in Ireland. Upon returning, she moved to Boston to focus on music. She co-founded the contra dance trio, Anadama, and is the guitarist for VT-based fiddler/singer Lissa Schneckenburger. (more)
   

• Hank Washburn

  Hank Washburn has been fiddling at contra dances and Irish sessions for, like, ever.  His first exposure to Irish music was in the last century in Philadelphia, where he was graciously encouraged by Mick Moloney and many other musicians at the Commodore Barry Center.  On moving to Maine, he played for contras with the Back Bay Banana Band (now the Crooked Stovepipe), and later with the Usual Suspects.  He currently plays with the bands Racket Factory  and Dromore Bay, and has also accompanied singers Steve Richardson and Ruth Hill.  His other preoccupations include shoveling snow,  obsessing about politics and baseball, and working with kids.
   

• Pam Weeks

  Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol'Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes. Pam has toured throughout the U.S. with her bands, playing for contradances, concerts, and teaching at festivals and workshops. (more)
   

• Fred White

  Fred 's (guitar, percussion, vocals) musical debut occurred on the floor of his parents' kitchen, surrounded by pots and pans, long before he ever heard of Ginger Baker or Gene Krupa. For the most recent 30 years he has been performing and recording oldtime, string band, hillbilly, rockabilly, blues, bluegrass, jazz, swing, minstrels, ragtime and Americana music. His trio, Waxlips, made award winning waves in North Carolina in the mid-80's and (more)