Learn to play piano at Maine Fiddle Camp
Sure, Maine Fiddle Camp has a lot to do with learning to play the fiddle. But fiddlers need accompanists and piano is one of the oldest traditional accompanying instruments for fiddle. This year we have several top notch teachers who will instruct in a variety of styles, Quebecois, Scottish and Cape Breton, old time New England, or just the “beginner level”.
It is recommended, but not required, that piano students bring your own keyboard!
Check out the bios below, look on the staff schedule to see who is on staff for which session and sign up here..
Gordon Peery
Gordon Peery started playing contra dance piano in the late 1970’s He was fortunate to be in the neighborhood of Bob McQuillen, who was an inspiration and mentor. Though Gordon quickly evolved his own style of playing, he was permanently influenced by Bob’s commitment to providing a solid bass line for dances. Gordon was the piano player for the band Fresh Fish, (with fiddler Kerry Elkin), which became a nationally prominent contra dance band. They toured the country extensively between 1985 and 1995, and produced a recording, “Turning of the Tide”. During that time Gordon also played with the New Hampshire Fiddlers Union, with Rodney Miller, Randy Miller, and Skip Gorman. That group was featured at the 10th Annual Shetland Folk Festival. The NH Fiddlers Union produced a cassette recording. “The Music of John Taggart”. Gordon also plays on several recordings with Gorman. More recently Gordon enjoyed a couple of great years with a band of young musicians, Trip to Nelson. Their recording “The Winding Road” is available on CD Baby and Spotify. (more)David Stimson
David Stimson began backing up country dance music on the guitar in 1965 at the age of eleven. During several summers the 1960s he attended Pinewoods cape with his family while his stepfather, Bob Guillard, taught Morris Dancing and English Country Dance. David's was first exposed to Contra Dance during the evening dances at Pinewoods; however, the disease remained latent until he learned English Concertina and joined the Woods Hole Folk Orchestra in1979. (more)
June Weekend I
Rachel Aucoin
After a frankly classical training including two Masters degrees (performance, UofM 2001 and piano pedagogy, UL, 2003), two first prizes at the prestigious Canadian Music Competition (1997 and 1998) and a solo performance of Beethoven's second with the Orchestre Symphonique de la Montérégie (1997), Rachel Aucoin specialises today in folk music accompaniment, since her first appearance at the Carrefour Mondial de l'Accordéon in 1999.
She never imagined this apparently innocent performance would change her musical destiny. (more)Gordon Peery
Gordon Peery started playing contra dance piano in the late 1970’s He was fortunate to be in the neighborhood of Bob McQuillen, who was an inspiration and mentor. Though Gordon quickly evolved his own style of playing, he was permanently influenced by Bob’s commitment to providing a solid bass line for dances. Gordon was the piano player for the band Fresh Fish, (with fiddler Kerry Elkin), which became a nationally prominent contra dance band. They toured the country extensively between 1985 and 1995, and produced a recording, “Turning of the Tide”. During that time Gordon also played with the New Hampshire Fiddlers Union, with Rodney Miller, Randy Miller, and Skip Gorman. That group was featured at the 10th Annual Shetland Folk Festival. The NH Fiddlers Union produced a cassette recording. “The Music of John Taggart”. Gordon also plays on several recordings with Gorman. More recently Gordon enjoyed a couple of great years with a band of young musicians, Trip to Nelson. Their recording “The Winding Road” is available on CD Baby and Spotify. (more)
June Week
Rachel Aucoin
After a frankly classical training including two Masters degrees (performance, UofM 2001 and piano pedagogy, UL, 2003), two first prizes at the prestigious Canadian Music Competition (1997 and 1998) and a solo performance of Beethoven's second with the Orchestre Symphonique de la Montérégie (1997), Rachel Aucoin specialises today in folk music accompaniment, since her first appearance at the Carrefour Mondial de l'Accordéon in 1999.
She never imagined this apparently innocent performance would change her musical destiny. (more)Gordon Peery
Gordon Peery started playing contra dance piano in the late 1970’s He was fortunate to be in the neighborhood of Bob McQuillen, who was an inspiration and mentor. Though Gordon quickly evolved his own style of playing, he was permanently influenced by Bob’s commitment to providing a solid bass line for dances. Gordon was the piano player for the band Fresh Fish, (with fiddler Kerry Elkin), which became a nationally prominent contra dance band. They toured the country extensively between 1985 and 1995, and produced a recording, “Turning of the Tide”. During that time Gordon also played with the New Hampshire Fiddlers Union, with Rodney Miller, Randy Miller, and Skip Gorman. That group was featured at the 10th Annual Shetland Folk Festival. The NH Fiddlers Union produced a cassette recording. “The Music of John Taggart”. Gordon also plays on several recordings with Gorman. More recently Gordon enjoyed a couple of great years with a band of young musicians, Trip to Nelson. Their recording “The Winding Road” is available on CD Baby and Spotify. (more)
June Weekend II
Neil Pearlman
Neil Pearlman is emerging as one of the traditional music scene's most innovative young artists. Legendary Cape Breton fiddler Jerry Holland said that "watching Neil's hands on the piano is like watching two spiders on crack!" His piano style is rooted in Cape Breton traditions while drawing on latin, jazz and funk influences. The result is a exciting new sound that remains true to its traditional roots. An accomplished Cape Breton step dancer and mandolinist as well, Neil grew up in the family band Highland Soles and (more)
August Week I
Neil Pearlman
Neil Pearlman is emerging as one of the traditional music scene's most innovative young artists. Legendary Cape Breton fiddler Jerry Holland said that "watching Neil's hands on the piano is like watching two spiders on crack!" His piano style is rooted in Cape Breton traditions while drawing on latin, jazz and funk influences. The result is a exciting new sound that remains true to its traditional roots. An accomplished Cape Breton step dancer and mandolinist as well, Neil grew up in the family band Highland Soles and (more)
August Week II