June Week

Featuring:

  • Rachel Aucoin

    After a frankly classical training including two Masters degrees (performance, UofM 2001 and piano pedagogy, UL, 2003), two first prizes at the prestigious Canadian Music Competition (1997 and 1998) and a solo performance of Beethoven's second with the Orchestre Symphonique de la Montérégie (1997), Rachel Aucoin specialises today in folk music accompaniment, since her first appearance at the Carrefour Mondial de l'Accordéon in 1999. She never imagined this apparently innocent performance would change her musical destiny. (more)
     
  • Baron Collins-Hill

    Baron grew up playing the mandolin in Maine and recently graduated from Hampshire College in Amherst, Massachusetts with a degree in music performance and ethnomusicology. Versed in traditional fiddle music, bluegrass, and jazz, he is known for his rhythmic experimentation and unique harmonic sense on both the mandolin and the tenor guitar. Baron plays with fiddler Julia Plumb in their duo Velocipede(www.velocipedemusic.com).
     
  • John Coté

    Guitarist John Coté has been performing for contra dances since he first fell in love with this pastime back in 1995. John did his music studies at the Berklee College of Music in Boston as well as the University of Maine at Augusta and incorporates a variety of influences in addition to what he has absorbed through the music of New England contra dance. Bringing his love of community and potent dance music, John has earned national recognition on the contra dance circuit, touring the United States with fiddler and fellow Maine Fiddle Camp instructor Ed Howe in their duo, Perpetual e-Motion. (more)
     
  • Sandy Davis

    Sandy has been playing for contra dances for over 40 years. In the 70’s, he was a founding member of the Roaring Jelly dance band and the Common Ground quintet. Back then, he played occasionally with Dudley Laufman and the Canterbury Country Dance Orchestra. He spent over 20 years as the hired music director of two long-standing community contra dance bands (the Berlin Country Dance Orchestra and Oh, CONTRAire!), and has recorded with a number of traditional musicians, including (more)
     
  • Louisa Engle

    Louisa started playing violin as and eight-year-old through her public school's strings program. In high school, she taught private violin lessons to younger students. Her music became more fiddley by the day. As a sophomore at Marlboro College, she founded a contra dance band, named "Wendy and the Lost Boys" by their admirers. The band studied with musician Keith Murphy. Louisa then hosted a monthly contra dance series that ran for four years. (more)
     
  • Éric Favreau

    Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. As an individual, and in various groups including Entourloupe, Éric has vast experience in (more)
     
  • Ellen Gawler

    Ellen Gawler is a celebrated fiddler, masterful in many styles, including Irish, French-Canadian, Maritime, Shetland and New England. Her fiddling possesses sparkling clarity, authentically rooted in tradition while at the same time inventive and playful. Her lively delivery of traditional fiddling has sent many a contra dance hall into whirling delight with soaring melodies and driving rhythms. (more)
     
  • Pascal Gemme

    Pascal Gemme has a degree from St-Laurent College (Montreal) in arranging and classical/jazz guitar, he has since been searching for seldom-heard songs and melodies, interpreting them in his unique and unmistakable style. Originally inspired by his fiddling grandfather, he has played with (and learned from), most of today’s great Quebecois fiddlers and singers. Since 2003, he has taught intermediate and advanced fiddle classes at Montreal's folk music school, École des Arts de la Veillée. (more)
     
  • Frets Halligan

    Frets has been playing and teaching ukulele and guitar privately and in groups for many years. He was surprised that while he was rediscovering the ukulele, so was the rest of the world! Over the past few years the ukulele has been seen and played at Maine Fiddle Camp. Inspired from seeing the uke at camp, Frets offered a specialty workshop and formed the ukestra and things just took off. Frets has been a catalyst for community uke groups in Maine, including Belfast and Newport. He currently lives in Belfast and plays guitar and uke with the Belfast Bay Fiddlers. Email: email hidden; JavaScript is required or 207.992.3535.
     
  • Daniel Hawkins

    The music of Boston-based cellist and composer Daniel Hawkins springs first of all from the dense forests, rolling hills, and crumbling cities of his childhood Pennsylvania. After leaving the Keystone State, Daniel earned undergraduate degrees in composition (studying with Paul Lansky, Steve Mackey, and Dan Trueman) and cello performance (Sophie Shao, Susannah Chapman) from Princeton University as well as a master's degree in contemporary improvisation from the New England Conservatory (Natasha Brofsky, John Mallia, Anthony Coleman, Tanya Kalmanovitch). (more)
     
  • Ed Howe

    Born into a musical family, Ed started playing fiddle at the age of 4, learning Suzuki method. His musical interests cover a wide spectrum from Bluegrass to Celtic and beyond and he has been a regular instructor for Maine Fiddle Camp since 2003. Howe has an extensive electronics background, and took an interest in the electric violin. He plays a 5-string NS Design electronic violin and is a featured artist on the NS design artist page. (more)
     
  • Sabin Jacques

    Sabin JacquesSabin Jacques began playing the accordion at age 14, deeply influenced by such musicians as Simard, Bruneau, Labbé Messervier and Montmarquette, he sought his originality in his unusual technique which gives him, as a left-handed player, a recognizable signature. Originally from the beautiful Gaspé peninsula, Sabin lived in Montreal between 1992-2009. This cosmopolite musical community allowed him to make significant acquaintances with musicians in the popular and commercial music domain.  Sabin remains profoundly attached to his traditional roots and regularly takes part in pedagogical projects, teaching at camps such as the Leahy - Natalie MacMaster camp (ONT) and Ashokan (NY), to name a few. Since distance is not an obstacle for learning, Sabin teaches accordion at home through internet or weekly at the Maréemusique School of Traditional Music. His teaching is said to be uplifting and always inspiring. His most recent recordings (2007 and 2010) present traditional tunes from Quebec played through remarquable arrangements, with his fellow musicians from band Tidal Wave / Raz-de-marée, putting a highlight on his stunning technique and musicianship while confirming his status as one of Quebec's leading master accordionists.
     
  • Jim Joseph

    Jim Joseph, from Phippsburg,ME, was actually on staff a couple years ago for the inaugural June week. That was before we had an actual accordion track, and now he is back as an accordion teacher. Jim plays button accordion in the Quebecois, New England, and Cajun styles and also plays 5 string banjo, mandolin, fiddle, percussion (foot and otherwise) and is a member of several Maine bands including, T-Acadie, Scrod Pudding, and JimmyJo and the Jumbol'ayuhs, with Fiddle Camp staffers Pam Weeks and Bill Olson. Jim plays single row Cajun accordions (built by Marc Savoy and Junior Martin) and a 2 row Saltarelle D/G box. Here are some videos of Jim in action: A Cajun song with the Jumbol'Ayuhs, and a set of Quebecois reels with T-Acadie.
     
  • Stuart Kenney

    One of the most in demand upright bass, and five-string banjo players on the US contradance circuit, Stuart Kenney's regional musical interests sweep from Southwest Louisiana to Acadia. He has a long career in many traditional music genres. His interest in Quebecois music formed through the fiddling of Lisa Ornstein, and performances by La Bottine Souriante. The inclusion of French Canadian music into the living tradition of New England contradance music caught his attention early on. (more)
     
  • Bennett Konesni

    Bennett Konesni grew up in Appleton, Maine, 10 miles downstream of Maine Fiddle Camp.  He was naturally drawn into the strong communities of old-time music, sailing, and farming in the area.  At thirteen he shipped as a deckhand aboard local schooners, sailing Penobscot Bay and learning the traditional work songs of the tall ships as he raised sails and hauled anchor.  Later, at Middlebury College, Bennett co-founded the student farm and spent six months studying Zulu farming songs in South Africa.  (more)
     
  • Margery Landis

    Margery Landis has been teaching instrumental music in MSAD #75 since 1986. First she taught at the elementary level, and has been at Mt. Ararat Middle School since 1995. Margie’s bands have performed in the Hall of Flags in Augusta, the Augusta Civic Center, in Providence, RI for the New England League of Middle Schools Conference, MMEA Conferences (1995, 2003, 2007), and along the shores of Merrymeeting Bay. During the 2008-2009 school year she took a leave of absence in order to study music therapy at Arizona State University in Tempe. Her current teaching responsibilities at Mt. Ararat include 7th & 8th grade concert band, 7th & 8th grade jazz band, and 6th grade general music. In 1992 she founded a multi-generational community band called The Merrymeeting Community Band. The band performs throughout the summer months in the mid-coast area and will proudly celebrate their 25th season in 2016. Margie plays the horn and serves on the applied music faculty at Bates College. She studies ukulele with Joel Eckhaus in South Portland, and attends the Strathmore Ukulele Summit in Bethesda, Maryland and the Aloha Music Camp in Hawaii. During the fall, she teaches beginning and intermediate ukulele through Merrymeeting Adult Education, and has formed The Ukulele Club of Brunswick, which plays monthly at the Brunswick Inn. She holds the Bachelor of Arts Degree in Music History from the University of New Hampshire and a Master of Music Degree in Performance from the University of Idaho.
     
  • Glen Loper

    Glen gives private lessons for mandolin and tenor banjo from his home in Portland, ME, and plays for contradances throughout the Northeast, and at festivals across the country with bands such as Frigate, Riptide, The Steampacket, and The Sharktones. Visit Glen at www.glenloper.com. 49 Brackett St, Portland ME, 04102 Phone: 207-837-8249 LINKS: "Frigate" , Riptide
     
  • Elaine Malkin

    Elaine Malkin has played the violin since the age of five and prefers a clean, crisp, yet ripping, New England fiddle style. She was a part of the resurgence of contra dances in the early seventies in Maine, having learned from Otto Soper and Dudley Laufman. In her spare time she plays with horses, photography, and trains dogs for agility competitions. See the web site www.northstarsisters.com.
     
  • Owen Marshall

    Vogue magazine calls musician Owen Marshall "A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot" (Vogue 2009). Owen has accompanied and collaborated with many of traditional music's top performers including Aoife Clancy, Liz Carroll, Darol Anger, John Doyle, Andrea Beaton, Jerry Holland, Ari & Mia Friedman and his own traditional Irish trio "The Press Gang". (more)
     
  • Eric McDonald

    Eric McDonald has been instructing and performing on the mandolin for a number of years. In addition to his experience in the world of traditional music, Eric spent two and a half years studying at Berklee College of Music in Boston, where he learned from some of the best including mandolinist John McGann and cellist Eugiene Friesen. Exposure to jazz and other styles come through in his playing. Eric has spent the last three years touring with bands such as The Dave Rowe Trio, Matching Orange, Jaded Mandolin and others. You can hear him on many independent recordings by Boston based artists, and you can catch him teaching at the Passim School of Music in Cambridge.
     
  • Bill Olson

    Bill Olson teaches both guitar and upright bass at Maine Fiddle Camp. He is probably best known at home and abroad as a contradance caller and choreographer. Bill has played and called for dances in 25 states and his dance compositions, known for their high potential energy and excellent flow, and are called by contradance callers all over the world. Bill started playing guitar in 1958, dancing in 1976, calling in 1985, and playing bass in 1993. He has been singing all his life.
     
  • Lilly Pearlman

    Lilly Pearlman has grown up in Maine immersed in the musical traditions of Scotland and Cape Breton, performing with family band Highland Soles since the age of nine. Through her experiences living and studying in New York City and Salvador da Bahia, Brazil, she has continued to explore and incorporate influences from various other musical genres--from bluegrass to samba to funk-- into her unique Celtic-based fiddle sound. (more)
     
  • Julia Plumb

    Julia lives and teaches fiddle and clawhammer banjo in Belfast, Maine. Equally at home on the stage and on the dance floor, Julia loves the percussive interplay between traditional music and dance forms and has enjoyed soaking up bits and pieces from players and dancers throughout New England and in Québec, Ireland, Brittany, and the southern Appalachians. Julia plays with Baron Collins-Hill in their duo Velocipede (www.velocipedemusic.com) and loves connecting people with music and dance. In addition to teaching at camps and in face-to-face lessons, Julia maintains freefiddlelessons.com, where she creates YouTube fiddle lesson videos and learning materials. Julia has achieved her 2010 goal to make her life more like Maine Fiddle Camp!
     
  • Doug Protsik

    Doug ProtsikDoug likes to play the "old-time piano" for dances, melodramas, honky tonk saloons, and silent movies. He learned his style from Otto Soper, Geneva Walton, and Danny Patt among many others. He plays with Old Grey Goose and produced all three of their recordings, including the group’s first recording in 1978 for Folkways, "Old Time Country Dance Tunes and Songs from Maine", now available again on CD. Doug also plays piano, accordion, and fiddle. He is the Camp Director again this year.  116 Pleasant Cove Dr. Woolwich ME O4579 207-443-5411
     
  • Sharon Pyne

    Sharon has been a student of tin whistle and wooden flute since 1977 when she attended the Willy Clancy Summer School while working in Ireland for the year. On her return to Boston to care for her grandmother, she studied with master flute players in the Hanafin /Cooley Comhalthus branch. She move to Maine to raise her children and became a member of the Portland Ceili Band and Ladies of the Lake. She runs a music studio in Bath, Maine where she teaches flute and whistle and Music Together. For a few months every year since 2000, she happily lives and breathes Maine Fiddle alongside director Doug Protsik.  Sharon can be contacted at email hidden; JavaScript is required or 207-522-3900.
     
  • Kenny Raskin

    Kenny first picked up a ukulele at age 8, when a family friend bought him one.  Now 50 plus years later, he’s not half bad! He’s got a menagerie of them, from soprano to baritone, and plays a variety of styles, swing music being his favorite.  He taught an afternoon workshop in 2016 and Doug spied on him.  He must have liked what he saw, because lo and behold, he put him on the staff! Kenny has been an actor and physical comedian for 35 years, and has performed internationally, as well as on Broadway.  He also starred as the lead clown in Cirque du Soleil’s Nouvelle Experience.  He, his wife Joanna and their son Evan are perennial campers at August week 1.
     
  • Alden Robinson

    Alden Robinson learned to play the fiddle as a child growing up in coastal Maine. His earliest lessons came from Tamora Goltz, Katie Newell, and from the teachers at Maine Fiddle Camp. In college, he studied Irish fiddle in Ireland at University College Cork, and in several pubs. For the past five years or so he has toured and recorded with The Press Gang, an Irish trad band from Portland. He also loves playing for contra dances and performs to several dance bands, including "Riptide", which features Owen Marshall and Glen Loper. (more)
     
  • Maggie Robinson

     
  • Lissa Schneckenburger

    A new England fiddler and folk singer, Lissa grew up in Maine as an active member of the folk music and dance community, where she cut her teeth as a musician at a very young age. She has continued to explore music throughout her life, leading to her graduation from The New England Conservatory of Music in Boston, Massachusetts (2001). Her list of mentors includes Greg Boardman, Alasdair Fraser, David Kaynor, and Hankus Netsky. While embracing a diverse pallet of musical influences, she still stays true to her New England roots. For more info on Lissa, check out her website at www.lissafiddle.com
     
  • Pam Weeks

    Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol'Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes. Pam has toured throughout the U.S. with her bands, playing for contradances, concerts, and teaching at festivals and workshops. (more)