Rachel AucoinAfter a frankly classical training including two Masters degrees (performance, UofM 2001 and piano pedagogy, UL, 2003), two first prizes at the prestigious Canadian Music Competition (1997 and 1998) and a solo performance of Beethoven's second with the Orchestre Symphonique de la Montérégie (1997), Rachel Aucoin specialises today in folk music accompaniment, since her first appearance at the Carrefour Mondial de l'Accordéon in 1999. She never imagined this apparently innocent performance would change her musical destiny. (more)
Mia BertelliMia Bertelli grew up in the mountains of New Mexico, singing at every chance she could get. Her love of song led her to Vermont at the age of fifteen, where she dove into the polyphonic singing camps of Village Harmony like a penguin into the sea. Since then she has been filling kitchens, streets, concert halls, vegetable gardens, and public restrooms with song, both in the northeast and overseas. Her irrepressible inclination to harmonize and great love of playful nuance have mostly gotten her into all the right sorts of trouble, so she counts them among her blessings. (more)
Greg BoardmanGreg is the founder of Maine Fiddle Camp and has been a major inspiration for many fiddlers over the last three and a half decades throughout all of Maine. He has steered a career in folk music by playing for concerts and dances, especially by learning the regional "DownEast" fiddling style from the likes of Otto Soper and Simon St. Pierre, and by teaching music and fiddling in the Auburn area. Contact Greg at bowandstring @ gmail.com. Also see gregboardman.bandcamp.com and soundcloud.com/bowandstring.
Baron Collins-HillBaron grew up playing the mandolin in Maine and recently graduated from Hampshire College in Amherst, Massachusetts with a degree in music performance and ethnomusicology. Versed in traditional fiddle music, bluegrass, and jazz, he is known for his rhythmic experimentation and unique harmonic sense on both the mandolin and the tenor guitar. Baron plays with fiddler Julia Plumb in their duo Velocipede(www.velocipedemusic.com).
Sandy DavisSandy has been playing for contra dances for over 40 years. In the 70’s, he was a founding member of the Roaring Jelly dance band and the Common Ground quintet. Back then, he played occasionally with Dudley Laufman and the Canterbury Country Dance Orchestra. He spent over 20 years as the hired music director of two long-standing community contra dance bands (the Berlin Country Dance Orchestra and Oh, CONTRAire!), and has recorded with a number of traditional musicians, including (more)
Corey DiMarioDouble-bassist Corey DiMario is one of the most sought after accompanists in the acoustic music scene. He has performed at major festivals and concert venues across North America, Europe and Australia. A diverse musician, Mr. DiMario adds rock solid, low-end accompaniment and driving rhythm to any musical situation. A founding member of the string band sensation Crooked Still, DiMario brings a diverse musical palette and energetic approach to an ensemble. (more)
Éric FavreauÉric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. As an individual, and in various groups including Entourloupe, Éric has vast experience in (more)
Ellen GawlerEllen Gawler is a celebrated fiddler, masterful in many styles, including Irish, French-Canadian, Maritime, Shetland and New England. Her fiddling possesses sparkling clarity, authentically rooted in tradition while at the same time inventive and playful. Her lively delivery of traditional fiddling has sent many a contra dance hall into whirling delight with soaring melodies and driving rhythms. (more)
Elsie GawlerElsie Gawler attended Maine Fiddle Camp as a camper for over 15 years and has since then transferred to teaching the cello at MFC. She grew up playing and singing traditional music with her mom, dad and two sisters and continues to play with them professionally as "The Gawler Family" band. While the cello is her main instrument she also plays fiddle and banjo. She lives in Monroe Maine where she is the co-owner of North Branch Farm, a farm where they raise a variety of crops and livestock.
Pascal GemmePascal Gemme has a degree from St-Laurent College (Montreal) in arranging and classical/jazz guitar, he has since been searching for seldom-heard songs and melodies, interpreting them in his unique and unmistakable style. Originally inspired by his fiddling grandfather, he has played with (and learned from), most of today’s great Quebecois fiddlers and singers. Since 2003, he has taught intermediate and advanced fiddle classes at Montreal's folk music school, École des Arts de la Veillée. (more)
Daniel HawkinsThe music of Boston-based cellist and composer Daniel Hawkins springs first of all from the dense forests, rolling hills, and crumbling cities of his childhood Pennsylvania. After leaving the Keystone State, Daniel earned undergraduate degrees in composition (studying with Paul Lansky, Steve Mackey, and Dan Trueman) and cello performance (Sophie Shao, Susannah Chapman) from Princeton University as well as a master's degree in contemporary improvisation from the New England Conservatory (Natasha Brofsky, John Mallia, Anthony Coleman, Tanya Kalmanovitch). (more)
Sabin JacquesSabin Jacques began playing the accordion at age 14, deeply influenced by such musicians as Simard, Bruneau, Labbé Messervier and Montmarquette, he sought his originality in his unusual technique which gives him, as a left-handed player, a recognizable signature. Originally from the beautiful Gaspé peninsula, Sabin lived in Montreal between 1992-2009. This cosmopolite musical community allowed him to make significant acquaintances with musicians in the popular and commercial music domain. Sabin remains profoundly attached to his traditional roots and regularly takes part in pedagogical projects, teaching at camps such as the Leahy - Natalie MacMaster camp (ONT) and Ashokan (NY), to name a few. Since distance is not an obstacle for learning, Sabin teaches accordion at home through internet or weekly at the Maréemusique School of Traditional Music. His teaching is said to be uplifting and always inspiring. His most recent recordings (2007 and 2010) present traditional tunes from Quebec played through remarquable arrangements, with his fellow musicians from band Tidal Wave / Raz-de-marée, putting a highlight on his stunning technique and musicianship while confirming his status as one of Quebec's leading master accordionists.
Jim JosephJim Joseph, from Phippsburg,ME, was actually on staff a couple years ago for the inaugural June week. That was before we had an actual accordion track, and now he is back as an accordion teacher. Jim plays button accordion in the Quebecois, New England, and Cajun styles and also plays 5 string banjo, mandolin, fiddle, percussion (foot and otherwise) and is a member of several Maine bands including, T-Acadie, Scrod Pudding, and JimmyJo and the Jumbol'ayuhs, with Fiddle Camp staffers Pam Weeks and Bill Olson. Jim plays single row Cajun accordions (built by Marc Savoy and Junior Martin) and a 2 row Saltarelle D/G box. Here are some videos of Jim in action: A Cajun song with the Jumbol'Ayuhs, and a set of Quebecois reels with T-Acadie.
Stuart KenneyOne of the most in demand upright bass, and five-string banjo players on the US contradance circuit, Stuart Kenney's regional musical interests sweep from Southwest Louisiana to Acadia. He has a long career in many traditional music genres. His interest in Quebecois music formed through the fiddling of Lisa Ornstein, and performances by La Bottine Souriante. The inclusion of French Canadian music into the living tradition of New England contradance music caught his attention early on. (more)
Bennett KonesniBennett Konesni grew up in Appleton, Maine, 10 miles downstream of Maine Fiddle Camp. He was naturally drawn into the strong communities of old-time music, sailing, and farming in the area. At thirteen he shipped as a deckhand aboard local schooners, sailing Penobscot Bay and learning the traditional work songs of the tall ships as he raised sails and hauled anchor. Later, at Middlebury College, Bennett co-founded the student farm and spent six months studying Zulu farming songs in South Africa. (more)
Glen LoperGlen gives private lessons for mandolin and tenor banjo from his home in Portland, ME, and plays for contradances throughout the Northeast, and at festivals across the country with bands such as Frigate, Riptide, The Steampacket, and The Sharktones. Visit Glen at www.glenloper.com. 49 Brackett St, Portland ME, 04102 Phone: 207-837-8249 LINKS: "Frigate" , Riptide
Elaine MalkinElaine Malkin has played the violin since the age of five and prefers a clean, crisp, yet ripping, New England fiddle style. She was a part of the resurgence of contra dances in the early seventies in Maine, having learned from Otto Soper and Dudley Laufman. In her spare time she plays with horses, photography, and trains dogs for agility competitions. See the web site www.northstarsisters.com.
Eric McDonaldEric McDonald has been instructing and performing on the mandolin for a number of years. In addition to his experience in the world of traditional music, Eric spent two and a half years studying at Berklee College of Music in Boston, where he learned from some of the best including mandolinist John McGann and cellist Eugiene Friesen. Exposure to jazz and other styles come through in his playing. Eric has spent the last three years touring with bands such as The Dave Rowe Trio, Matching Orange, Jaded Mandolin and others. You can hear him on many independent recordings by Boston based artists, and you can catch him teaching at the Passim School of Music in Cambridge.
Bill OlsonBill Olson teaches both guitar and upright bass at Maine Fiddle Camp. He is probably best known at home and abroad as a contradance caller and choreographer. Bill has played and called for dances in 25 states and his dance compositions, known for their high potential energy and excellent flow, and are called by contradance callers all over the world. Bill started playing guitar in 1958, dancing in 1976, calling in 1985, and playing bass in 1993. He has been singing all his life.
Lilly PearlmanLilly Pearlman has grown up in Maine immersed in the musical traditions of Scotland and Cape Breton, performing with family band Highland Soles since the age of nine. Through her experiences living and studying in New York City and Salvador da Bahia, Brazil, she has continued to explore and incorporate influences from various other musical genres--from bluegrass to samba to funk-- into her unique Celtic-based fiddle sound. (more)
Julia PlumbJulia lives and teaches fiddle and clawhammer banjo in Belfast, Maine. Equally at home on the stage and on the dance floor, Julia loves the percussive interplay between traditional music and dance forms and has enjoyed soaking up bits and pieces from players and dancers throughout New England and in Québec, Ireland, Brittany, and the southern Appalachians. Julia plays with Baron Collins-Hill in their duo Velocipede (www.velocipedemusic.com) and loves connecting people with music and dance. In addition to teaching at camps and in face-to-face lessons, Julia maintains freefiddlelessons.com, where she creates YouTube fiddle lesson videos and learning materials. Julia has achieved her 2010 goal to make her life more like Maine Fiddle Camp!
Doug ProtsikDoug likes to play the "old-time piano" for dances, melodramas, honky tonk saloons, and silent movies. He learned his style from Otto Soper, Geneva Walton, and Danny Patt among many others. He plays with Old Grey Goose and produced all three of their recordings, including the group’s first recording in 1978 for Folkways, "Old Time Country Dance Tunes and Songs from Maine", now available again on CD. Doug also plays piano, accordion, and fiddle. He is the Camp Director again this year. 116 Pleasant Cove Dr. Woolwich ME O4579 207-443-5411
Kenny RaskinKenny first picked up a ukulele at age 8, when a family friend bought him one. Now 50 plus years later, he’s not half bad! He’s got a menagerie of them, from soprano to baritone, and plays a variety of styles, swing music being his favorite. He taught an afternoon workshop in 2016 and Doug spied on him. He must have liked what he saw, because lo and behold, he put him on the staff! Kenny has been an actor and physical comedian for 35 years, and has performed internationally, as well as on Broadway. He also starred as the lead clown in Cirque du Soleil’s Nouvelle Experience. He, his wife Joanna and their son Evan are perennial campers at August week 1.
Maggie RobinsonMaggie Robinson has been teaching fiddle since 2003. She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year. Many years later she discovered Contradancing and fell in love with the music She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”. Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
Bethany WaickmanBethany Waickman is a guitarist based out of Portland, Maine. She grew up in a musical family in the Adirondack Mountains of northern New York state. After college she spent some time traveling, hiking, and playing music in Ireland. Upon returning, she moved to Boston to focus on music. She co-founded the contra dance trio, Anadama, and is the guitarist for VT-based fiddler/singer Lissa Schneckenburger. (more)
Pam WeeksPam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol'Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes. Pam has toured throughout the U.S. with her bands, playing for contradances, concerts, and teaching at festivals and workshops. (more)