June Week


  • Elizabeth Anderson

  • Jennifer Armstrong

    Visit Jennifer's website (http://www.jenniferarmstrong.com/). 233 Poors Mill Road Belfast ME 04915 207-322-2265
  • Mia Bertelli

    Mia Bertelli grew up in the mountains of New Mexico, singing at every chance she could get. Her love of song led her to Vermont at the age of fifteen, where she dove into the polyphonic singing camps of Village Harmony like a penguin into the sea. Since then she has been filling kitchens, streets, concert halls, vegetable gardens, and public restrooms with song, both in the northeast and overseas. Her irrepressible inclination to harmonize and great love of playful nuance have mostly gotten her into all the right sorts of trouble, so she counts them among her blessings.   (more)
  • Greg Boardman

    Greg is the founder of Maine Fiddle Camp and has been a major inspiration for many fiddlers over the last three and a half decades throughout all of Maine. He has steered a career in folk music by playing for concerts and dances, especially by learning the regional "DownEast" fiddling style from the likes of Otto Soper and Simon St. Pierre, and by teaching music and fiddling in the Auburn area. Contact Greg at bowandstring @ gmail.com. Also see gregboardman.bandcamp.com and soundcloud.com/bowandstring.
  • Jessie Boardman

    Jessie fiddles for contra and family dances across New England, and she sometimes sneaks the cello into dance sets. Jessie teaches fiddle to all ages at Maine Fiddle Camp, Sandy Island Suzuki Camp, at workshops, and in her private studio. Dancing her first contra dance as a child to the band Swallowtail in New Hampshire, Jessie later moved to Maine, where she happily resides. Jessie can be reached at (207) 344-3106.
  • Baron Collins-Hill

    Baron grew up playing the mandolin in Maine and recently graduated from Hampshire College in Amherst, Massachusetts with a degree in music performance and ethnomusicology. Versed in traditional fiddle music, bluegrass, and jazz, he is known for his rhythmic experimentation and unique harmonic sense on both the mandolin and the tenor guitar. Baron plays with fiddler Julia Plumb in their duo Velocipede(www.velocipedemusic.com).
  • Sandy Davis

    Sandy has been playing for contra dances for over 40 years. In the 70’s, he was a founding member of the Roaring Jelly dance band and the Common Ground quintet. Back then, he played occasionally with Dudley Laufman and the Canterbury Country Dance Orchestra. He spent over 20 years as the hired music director of two long-standing community contra dance bands (the Berlin Country Dance Orchestra and Oh, CONTRAire!), and has recorded with a number of traditional musicians, including (more)
  • Dan Faiella

    Dan Faiella specializes in fingerstyle arrangements of traditional Celtic tunes and songs. He is also in high demand as an accompanist for traditional Irish, Cape Breton, and New England contradance groups.  Dan has performed at the Capitol Center for the Arts, the Boston Celtic Music Festival, and the New Hampshire Statehouse. He has studied with folk musician David Surette and classical and jazz guitarist David Newsam. Dan has also had the opportunity to learn from top-notch Irish and New England folk musicians including flute player Shannon Heaton, guitarist Owen Marshall, and fiddler Lissa Schneckenburger. To hear music from his duo project with his sister Liz Faiella, visit www.lizanddanmusic.com.
  • Éric Favreau

    Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. As an individual, and in various groups including Entourloupe, Éric has vast experience in (more)
  • Mary Fraser

    Mary Fraser began her musical life by training in classical violin for thirteen years, concluding with a Suzuki method violin teacher certification.  She then left the classical music world and traveled extensively throughout the UK, immersing in the traditional music of her heritage.  Carrying right on into the southern US states to study the old time fiddle styles of eastern Kentucky, West Virginia and North Carolina.  (more)
  • Ellen Gawler

    Ellen Gawler is a celebrated fiddler, masterful in many styles, including Irish, French-Canadian, Maritime, Shetland and New England. Her fiddling possesses sparkling clarity, authentically rooted in tradition while at the same time inventive and playful. Her lively delivery of traditional fiddling has sent many a contra dance hall into whirling delight with soaring melodies and driving rhythms. (more)
  • Elsie Gawler

    Elsie Gawler attended Maine Fiddle Camp as a camper for over 15 years and has since then transferred to teaching the cello at MFC. She grew up playing and singing traditional music with her mom, dad and two sisters and continues to play with them professionally as "The Gawler Family" band. While the cello is her main instrument she also plays fiddle and banjo. She lives in Monroe Maine where she is the co-owner of North Branch Farm, a farm where they raise a variety of crops and livestock.
  • Molly Gawler

    Molly Gawler grew up on Buttermilk Hill on a small farm in Maine. She plays fiddle, banjo and sings in the “Gawler Family Band” as well as her trio of sisters, “The Gawler Sisters.” She grew up playing music with the traditional roots passed on to her from her Mom and Dad - Ellen and John Gawler. Molly is also a professional dancer which has taken her around the world. At fiddle camp, Molly teaches the beginners, and often enjoys sharing movement of all kinds including dance and parkour.
  • Pascal Gemme

    Pascal Gemme has a degree from St-Laurent College (Montreal) in arranging and classical/jazz guitar, he has since been searching for seldom-heard songs and melodies, interpreting them in his unique and unmistakable style. Originally inspired by his fiddling grandfather, he has played with (and learned from), most of today’s great Quebecois fiddlers and singers. Since 2003, he has taught intermediate and advanced fiddle classes at Montreal's folk music school, École des Arts de la Veillée. (more)
  • Sara Grey

    Sara Grey has been playing banjo for over 58 years. Her dad, from northern NH, played fiddle and he took Sara down south when she was young back in the early 50’s to watch some of the “old boys” play and sing. She took that knowledge back up to NH where she grew up,and played for square dances when she was still in school. She has been playing ever since….dividing her time between the states and Scotland. She has taught wherever she has lived and at many traditional music camps and schools. She presently lives in Rockland,Maine where she teaches several brilliant students. She has performed solo and with her son,Kieron Means for many years all over the world. Her strength is to use the banjo for song accompaniment as well as for tunes…both frailing style and two finger picking.
  • Daniel Hawkins

    The music of Boston-based cellist and composer Daniel Hawkins springs first of all from the dense forests, rolling hills, and crumbling cities of his childhood Pennsylvania. After leaving the Keystone State, Daniel earned undergraduate degrees in composition (studying with Paul Lansky, Steve Mackey, and Dan Trueman) and cello performance (Sophie Shao, Susannah Chapman) from Princeton University as well as a master's degree in contemporary improvisation from the New England Conservatory (Natasha Brofsky, John Mallia, Anthony Coleman, Tanya Kalmanovitch). (more)
  • Jim Joseph

    Jim JosephJim Joseph, from Phippsburg,ME, was actually on staff a couple years ago for the inaugural June week. That was before we had an actual accordion track, and now he is back as an accordion teacher. Jim plays button accordion in the Quebecois, New England, and Cajun styles and also plays 5 string banjo, mandolin, fiddle, percussion (foot and otherwise) and is a member of several Maine bands including, T-Acadie, Scrod Pudding, and JimmyJo and the Jumbol'ayuhs, with Fiddle Camp staffers Pam Weeks and Bill Olson. Jim plays single row Cajun accordions (built by Marc Savoy and Junior Martin) and a 2 row Saltarelle D/G box. Here are some videos of Jim in action: A Cajun song with the Jumbol'Ayuhs, and a set of Quebecois reels with T-Acadie.
  • Stuart Kenney

    One of the most in demand upright bass, and five-string banjo players on the US contradance circuit, Stuart Kenney's regional musical interests sweep from Southwest Louisiana to Acadia. He has a long career in many traditional music genres. His interest in Quebecois music formed through the fiddling of Lisa Ornstein, and performances by La Bottine Souriante. The inclusion of French Canadian music into the living tradition of New England contradance music caught his attention early on. (more)
  • Bennett Konesni

    Bennett Konesni grew up in Appleton, Maine, 10 miles downstream of Maine Fiddle Camp.  He was naturally drawn into the strong communities of old-time music, sailing, and farming in the area.  At thirteen he shipped as a deckhand aboard local schooners, sailing Penobscot Bay and learning the traditional work songs of the tall ships as he raised sails and hauled anchor.  Later, at Middlebury College, Bennett co-founded the student farm and spent six months studying Zulu farming songs in South Africa.  (more)
  • Glen Loper

    Glen gives private lessons for mandolin and tenor banjo from his home in Portland, ME, and plays for contradances throughout the Northeast, and at festivals across the country with bands such as Frigate, Riptide, The Steampacket, and The Sharktones. Visit Glen at www.glenloper.com. 49 Brackett St, Portland ME, 04102 Phone: 207-837-8249 LINKS: "Frigate" , Riptide
  • Elaine Malkin

    Elaine Malkin has played the violin since the age of five and prefers a clean, crisp, yet ripping, New England fiddle style. She was a part of the resurgence of contra dances in the early seventies in Maine, having learned from Otto Soper and Dudley Laufman. In her spare time she plays with horses, photography, and trains dogs for agility competitions. See the web site www.northstarsisters.com.
  • Owen Marshall

    Vogue magazine calls musician Owen Marshall "A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot" (Vogue 2009). Owen has accompanied and collaborated with many of traditional music's top performers including Aoife Clancy, Liz Carroll, Darol Anger, John Doyle, Andrea Beaton, Jerry Holland, Ari & Mia Friedman and his own traditional Irish trio "The Press Gang". (more)
  • Eric McDonald

    Eric McDonald has been instructing and performing on the mandolin for a number of years. In addition to his experience in the world of traditional music, Eric spent two and a half years studying at Berklee College of Music in Boston, where he learned from some of the best including mandolinist John McGann and cellist Eugiene Friesen. Exposure to jazz and other styles come through in his playing. Eric has spent the last three years touring with bands such as The Dave Rowe Trio, Matching Orange, Jaded Mandolin and others. You can hear him on many independent recordings by Boston based artists, and you can catch him teaching at the Passim School of Music in Cambridge.
  • Kaity Newell

    Kaity teaches fiddle in Damariscotta and has played for dances for many years with The Maine Country Dance Orchestra, and with the band The Lady Bugs. A native of Great Britain, Kaity has brought many a fine tune from the British Isles to our local dances. Kaity also plays viola in the local community orchestra and has four children, all of whom play music and come to camp every year. 7 Creek Lane Damariscotta ME 044543 207-563-8440
  • Maisie Newell

  • Bill Olson

    Bill Olson teaches both guitar and upright bass at Maine Fiddle Camp. He is probably best known at home and abroad as a contradance caller and choreographer. Bill has played and called for dances in 25 states and his dance compositions, known for their high potential energy and excellent flow, and are called by contradance callers all over the world. Bill started playing guitar in 1958, dancing in 1976, calling in 1985, and playing bass in 1993. He has been singing all his life.
  • Lilly Pearlman

    Lilly Pearlman has grown up in Maine immersed in the musical traditions of Scotland and Cape Breton, performing with family band Highland Soles since the age of nine. Through her experiences living and studying in New York City and Salvador da Bahia, Brazil, she has continued to explore and incorporate influences from various other musical genres--from bluegrass to samba to funk-- into her unique Celtic-based fiddle sound. (more)
  • Gordon Peery

    Gordon Peery started playing contra dance piano in the late 1970’s  He was fortunate to be in the neighborhood of Bob McQuillen, who was an inspiration and mentor. Though Gordon quickly evolved his own style of playing, he was permanently influenced by Bob’s commitment to providing a solid bass line for dances. Gordon was the piano player for the band Fresh Fish, (with fiddler Kerry Elkin), which became a nationally prominent contra dance band. They toured the country extensively between 1985 and 1995, and produced a recording, “Turning of the Tide”. During that time Gordon also played with the New Hampshire Fiddlers Union, with Rodney Miller, Randy Miller, and Skip Gorman. That group was featured at the 10th Annual Shetland Folk Festival. The NH Fiddlers Union produced a cassette recording. “The Music of John Taggart”. Gordon also plays on several recordings with Gorman. More recently Gordon enjoyed a couple of great years with a band of young musicians, Trip to Nelson. Their recording “The Winding Road” is available on CD Baby and Spotify. (more)
  • Julia Plumb

    Julia lives and teaches fiddle and clawhammer banjo in Belfast, Maine. Equally at home on the stage and on the dance floor, Julia loves the percussive interplay between traditional music and dance forms and has enjoyed soaking up bits and pieces from players and dancers throughout New England and in Québec, Ireland, Brittany, and the southern Appalachians. Julia plays with Baron Collins-Hill in their duo Velocipede (www.velocipedemusic.com) and loves connecting people with music and dance. In addition to teaching at camps and in face-to-face lessons, Julia maintains freefiddlelessons.com, where she creates YouTube fiddle lesson videos and learning materials. Julia has achieved her 2010 goal to make her life more like Maine Fiddle Camp!
  • John Pranio

    John started his musical life as a drummer before the age of ten, but through the encouragement of "his poor mother," took up the quieter acoustic guitar in his teens. In high school John met a banjo player and was encouraged to try the fiddle. He was quickly hooked, and by the age of 20 began playing his "rhythmic" style of fiddling for contra dances around New York and New Jersey.  In 1989 John moved to Maine and within a few years started the North Whitefield Contra dance with his wife Toki Oshima, and caller Ted Sannella. (more)
  • Doug Protsik

    Doug ProtsikDoug likes to play the "old-time piano" for dances, melodramas, honky tonk saloons, and silent movies. He learned his style from Otto Soper, Geneva Walton, and Danny Patt among many others. He plays with Old Grey Goose and produced all three of their recordings, including the group’s first recording in 1978 for Folkways, "Old Time Country Dance Tunes and Songs from Maine", now available again on CD. Doug also plays piano, accordion, and fiddle. He is the Camp Director again this year.  116 Pleasant Cove Dr. Woolwich ME O4579 207-443-5411
  • Sharon Pyne

    Sharon has been a student of tin whistle and wooden flute since 1977 when she attended the Willy Clancy Summer School while working in Ireland for the year. On her return to Boston to care for her grandmother, she studied with master flute players in the Hanafin /Cooley Comhalthus branch. She move to Maine to raise her children and became a member of the Portland Ceili Band and Ladies of the Lake. She runs a music studio in Bath, Maine where she teaches flute and whistle and Music Together. For a few months every year since 2000, she happily lives and breathes Maine Fiddle alongside director Doug Protsik.  Sharon can be contacted at email hidden; JavaScript is required or 207-522-3900.
  • Kenny Raskin

    Kenny first picked up a ukulele at age 8, when a family friend bought him one.  Now 50 plus years later, he’s not half bad! He’s got a menagerie of them, from soprano to baritone, and plays a variety of styles, swing music being his favorite.  He taught an afternoon workshop in 2016 and Doug spied on him.  He must have liked what he saw, because lo and behold, he put him on the staff! Kenny has been an actor and physical comedian for 35 years, and has performed internationally, as well as on Broadway.  He also starred as the lead clown in Cirque du Soleil’s Nouvelle Experience.  He, his wife Joanna and their son Evan are perennial campers at August week 1.
  • Maggie Robinson

    Maggie Robinson has been teaching fiddle since 2003.  She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year.   Many years later she discovered Contradancing and fell in love with the music  She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”. Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
  • Mesa Schubeck

    I grew up in the small town of Blue Hill, Maine nestled in the forest on the edge of the ocean. My parents are both self taught folk musicians and from a young age I have heard them play traditional music for contra dances, weddings and other events. Growing up with my sisters we listened to lots of different kinds of music. My mom had Joni Mitchell, Bob Dylan and Carole King records and my dad was into Thelonius Monk, Miles Davis and the artists from the Motown era. These sounds absorbed into my being and began to expose me to the vast, rich world of music. Though I have to credit my dad as my first piano teacher, I began official piano lessons with Win Pusey at age eight. I loved playing the piano and I felt a natural connection to the instrument. Once I advanced to 6th grade I started with teacher and lifelong mentor Ginger Hwalek who helped take my classical playing to the next level. In 7th grade when I formed an a cappella group at the Bay School with some of my friends, I really started to get excited about exploring my voice. I had the opportunity to record my own CD in a professional studio as my 8th grade project and I saw first hand how much work goes into making a recording; but the rush I got from being in the studio was like nothing else. (more)
  • Bethany Waickman

    Bethany Waickman is a guitarist based out of Portland, Maine. She grew up in a musical family in the Adirondack Mountains of northern New York state. After college she spent some time traveling, hiking, and playing music in Ireland. Upon returning, she moved to Boston to focus on music. She co-founded the contra dance trio, Anadama, and is the guitarist for VT-based fiddler/singer Lissa Schneckenburger. (more)
  • Pam Weeks

    Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol'Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes. Pam has toured throughout the U.S. with her bands, playing for contradances, concerts, and teaching at festivals and workshops. (more)