August Week II

Featuring:

  • Elizabeth Anderson

     
  • Jennifer Armstrong

    Visit Jennifer's website (http://www.jenniferarmstrong.com/). 233 Poors Mill Road Belfast ME 04915 207-322-2265
     
  • Mia Bertelli

    Mia Bertelli grew up in the mountains of New Mexico, singing at every chance she could get. Her love of song led her to Vermont at the age of fifteen, where she dove into the polyphonic singing camps of Village Harmony like a penguin into the sea. Since then she has been filling kitchens, streets, concert halls, vegetable gardens, and public restrooms with song, both in the northeast and overseas. Her irrepressible inclination to harmonize and great love of playful nuance have mostly gotten her into all the right sorts of trouble, so she counts them among her blessings.   (more)
     
  • Aidan Boardman

     
  • Greg Boardman

    Greg is the founder of Maine Fiddle Camp and has been a major inspiration for many fiddlers over the last three and a half decades throughout all of Maine. He has steered a career in folk music by playing for concerts and dances, especially by learning the regional "DownEast" fiddling style from the likes of Otto Soper and Simon St. Pierre, and by teaching music and fiddling in the Auburn area. Contact Greg at bowandstring @ gmail.com. Also see gregboardman.bandcamp.com and soundcloud.com/bowandstring.
     
  • Jessie Boardman

    Jessie fiddles for contra and family dances across New England, and she sometimes sneaks the cello into dance sets. Jessie teaches fiddle to all ages at Maine Fiddle Camp, Sandy Island Suzuki Camp, at workshops, and in her private studio. Dancing her first contra dance as a child to the band Swallowtail in New Hampshire, Jessie later moved to Maine, where she happily resides. Jessie can be reached at (207) 344-3106.
     
  • Susie Burke

    Susie Burke has been singing and performing since the early 80s, as a soloist, and a member of several bands and duos, the longest running being with David Surette. Her musical tastes and influences are varied, encompassing contemporary and traditional folk, swing, country, topical songs, and acapella singing, with detours along the way for Broadway showtunes and classic ballads. "She posesses one of the finest, purest ballad voices heard in folk music today” wrote Scott Alarik in the Boston Globe, noting that "her phrasing is unerringly devoted to the lyric…Burke displays a gift for pulling honest emotional chords - all too rare in these clever and cynical times.”  (more)
     
  • Clayton Clemetson

    Clayton Clemetson was raised in the New England folk and contra dance traditions as both a dancer and a musician. After years of classical lessons he discovered a love for piano accompaniment at our very own Maine Fiddle Camp at age 11 and the music and community has been central in his life ever since. His style ranges from catchy contra dance grooves to expansive waltzes, influenced by Cape Breton and Irish music with a contemporary twist. (more)
     
  • Baron Collins-Hill

    Baron grew up playing the mandolin in Maine and recently graduated from Hampshire College in Amherst, Massachusetts with a degree in music performance and ethnomusicology. Versed in traditional fiddle music, bluegrass, and jazz, he is known for his rhythmic experimentation and unique harmonic sense on both the mandolin and the tenor guitar. Baron plays with fiddler Julia Plumb in their duo Velocipede(www.velocipedemusic.com).
     
  • John Coté

    Guitarist John Coté has been performing for contra dances since he first fell in love with this pastime back in 1995. John did his music studies at the Berklee College of Music in Boston as well as the University of Maine at Augusta and incorporates a variety of influences in addition to what he has absorbed through the music of New England contra dance. Bringing his love of community and potent dance music, John has earned national recognition on the contra dance circuit, touring the United States with fiddler and fellow Maine Fiddle Camp instructor Ed Howe in their duo, Perpetual e-Motion. (more)
     
  • Jim DiCarlo

    A self-described “tune hound,” Jim DiCarlo has been playing Irish music on whistle and wooden flute for contra dances, at sessions, and in the hallways of music festivals for the past 25 years.  He loves learning new tunes and has even composed a few of passable quality.  A long-time member of the Maine-based, not-entirely-traditional group Wake the Neighbors, he played alongside Lissa Schneckenburger, John Cote, Jessie & Greg Boardman, Ed Howe, Anthony Shostak and Alfred Lund.  (more)
     
  • Corey DiMario

    Double-bassist Corey DiMario is one of the most sought after accompanists in the acoustic music scene. He has performed at major festivals and concert venues across North America, Europe and Australia. A diverse musician, Mr. DiMario adds rock solid, low-end accompaniment and driving rhythm to any musical situation. A founding member of the string band sensation Crooked Still, DiMario brings a diverse musical palette and energetic approach to an ensemble. (more)
     
  • Liz Faiella

    An Irish fiddler with New England contradance flair and classical sensitivities, Liz Faiella has captivated audiences at premier folk venues, contradances, and festivals around New England. (more)
     
  • Dan Faiella

    Dan Faiella specializes in fingerstyle arrangements of traditional Celtic tunes and songs. He is also in high demand as an accompanist for traditional Irish, Cape Breton, and New England contradance groups.  Dan has performed at the Capitol Center for the Arts, the Boston Celtic Music Festival, and the New Hampshire Statehouse. He has studied with folk musician David Surette and classical and jazz guitarist David Newsam. Dan has also had the opportunity to learn from top-notch Irish and New England folk musicians including flute player Shannon Heaton, guitarist Owen Marshall, and fiddler Lissa Schneckenburger. To hear music from his duo project with his sister Liz Faiella, visit www.lizanddanmusic.com.
     
  • Mary Fraser

    Mary Fraser began her musical life by training in classical violin for thirteen years, concluding with a Suzuki method violin teacher certification.  She then left the classical music world and traveled extensively throughout the UK, immersing in the traditional music of her heritage.  Carrying right on into the southern US states to study the old time fiddle styles of eastern Kentucky, West Virginia and North Carolina.  (more)
     
  • Mia Friedman

    Mia Friedman is a virtuosic fiddler and singer. She is largely influenced by American roots music and old-time Appalachian traditions, and blends this with contemporary experimental music in her compositions. She graduated from New England Conservatory in 2012 where she studied with Anthony Coleman, Carla Kihlstedt, and Hankus Netsky, and is an active composer, performer, and educator. Mia has a private studio of fiddle students, and also teaches at two El Sistema inspired music programs in the Berkshires. (more)
     
  • Ellen Gawler

    Ellen Gawler is a celebrated fiddler, masterful in many styles, including Irish, French-Canadian, Maritime, Shetland and New England. Her fiddling possesses sparkling clarity, authentically rooted in tradition while at the same time inventive and playful. Her lively delivery of traditional fiddling has sent many a contra dance hall into whirling delight with soaring melodies and driving rhythms. (more)
     
  • Pascal Gemme

    Pascal Gemme has a degree from St-Laurent College (Montreal) in arranging and classical/jazz guitar, he has since been searching for seldom-heard songs and melodies, interpreting them in his unique and unmistakable style. Originally inspired by his fiddling grandfather, he has played with (and learned from), most of today’s great Quebecois fiddlers and singers. Since 2003, he has taught intermediate and advanced fiddle classes at Montreal's folk music school, École des Arts de la Veillée. (more)
     
  • McKinley James

    McKinley James is a cellist studying at New England Conservatory. After years with the Vermont Youth Orchestra, she joined the Boston Youth Symphony, and then the premier youth orchestra led by Ben Zander, the Boston Philharmonic Youth Orchestra. With the BPYO, she toured Europe twice, playing in concert halls such as the Berlin Philharmonie and at the Alhambra in Spain. She has also played with the Portsmouth Symphony Orchestra, Middlebury College Orchestra, and the New England Conservatory Symphony, she also soloed with the Champlain Philharmonic Orchestra. She was principal of the Vermont All State Orchestra sophomore year and won the All States Scholarship that year. She now studies with Yeesun Kim at the New England Conservatory. (more)
     
  • Bennett Konesni

    Bennett Konesni grew up in Appleton, Maine, 10 miles downstream of Maine Fiddle Camp.  He was naturally drawn into the strong communities of old-time music, sailing, and farming in the area.  At thirteen he shipped as a deckhand aboard local schooners, sailing Penobscot Bay and learning the traditional work songs of the tall ships as he raised sails and hauled anchor.  Later, at Middlebury College, Bennett co-founded the student farm and spent six months studying Zulu farming songs in South Africa.  (more)
     
  • Jeff Lewis

    Jeff Lewis is a native to Waldo County and has spent the greater portion of his life immersed in music, specializing on mandolin in a diverse range of styles. He attended MFC as a student for the first time in 2005. After a stint studying mandolin at Berklee College of Music in fall 2010, Jeff relocated to Portland, Maine to pursue music professionally in performance and composing, in addition to continued intense focus on the mandolin. You can hear Jeff playing with Bennett Konesni and Mia Friedman as Fireside, and with Konesni and David Lewis as Free Seedlings. Jeff can be reached at 46 Turner St. Portland, Maine, 207-930-0009 or visit him on line at jeffersonlewis.bandcamp.com or myspace.com/dingomandolin.
     
  • Carter Logan

    Carter plays banjo with his band “Jerks of Grass” and also plays for dances. He has a unique repertoire and we are pleased to have him on staff at camp www.jerksofgrass.com
     
  • Glen Loper

    Glen gives private lessons for mandolin and tenor banjo from his home in Portland, ME, and plays for contradances throughout the Northeast, and at festivals across the country with bands such as Frigate, Riptide, The Steampacket, and The Sharktones. Visit Glen at www.glenloper.com. 49 Brackett St, Portland ME, 04102 Phone: 207-837-8249 LINKS: "Frigate" , Riptide
     
  • Elaine Malkin

    Elaine Malkin has played the violin since the age of 5. She was part of the resurgence of contra dances in Maine in the early 70's, having learned from Otto Soper and Dudley Laufman. She played New England contra dances until 2009, when she began an intensive study of Québécois fiddle with mainly Éric Favreau, but also with Lisa Ornstein, André Brunet, Yvon Mimeault, and Liette Remon. This music has completely captured her heart and she uses a traditional Québécois repertoire for contra dances, concerts, and other venues. Learning, teaching, and sharing this special music is her greatest joy.
     
  • Owen Marshall

    Vogue magazine calls musician Owen Marshall "A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot" (Vogue 2009). Owen has accompanied and collaborated with many of traditional music's top performers including Aoife Clancy, Liz Carroll, Darol Anger, John Doyle, Andrea Beaton, Jerry Holland, Ari & Mia Friedman and his own traditional Irish trio "The Press Gang". (more)
     
  • Eric McDonald

    Eric McDonald has been instructing and performing on the mandolin for a number of years. In addition to his experience in the world of traditional music, Eric spent two and a half years studying at Berklee College of Music in Boston, where he learned from some of the best including mandolinist John McGann and cellist Eugiene Friesen. Exposure to jazz and other styles come through in his playing. Eric has spent the last three years touring with bands such as The Dave Rowe Trio, Matching Orange, Jaded Mandolin and others. You can hear him on many independent recordings by Boston based artists, and you can catch him teaching at the Passim School of Music in Cambridge.
     
  • Jeremiah McLane

    The music of composer, accordionist, and pianist Jeremiah McLane is a unique blend of Franco-American, Celtic, jazz, and roots influenced music. In 1980 Jeremiah started studying Celtic music and began playing the accordion, influenced largely by the Bothy Band and Dedanann. He studied with Chicago accordionist Jimmy Keane and Cape Breton pianist Doug McPhee. In the early 1990s he helped start two bands with strong traditional New England roots: The Clayfoot Strutters and Nightingale, both of which are active today. In 2003 he formed Le Bon Vent, a sextet specializing in Breton and French music. He has recorded nine CDs with these and other musicians. www.jeremiahmclane.com
     
  • Claude Méthé

    Claude Méthé, is a self-taught fiddler, his style reflects most particularly the eighteen years he lived in the region of Lotbinière, Québec, on the south side of the St-Lawrence river not far from Québec City. Today, he resides in Ste-Béatrix, Québec, in the Lanaudière region, known worldwide as the epicenter of Québec trad music. (more)
     
  • Kaity Newell

    Kaity teaches fiddle in Damariscotta and has played for dances for many years with The Maine Country Dance Orchestra, and with the band The Lady Bugs. A native of Great Britain, Kaity has brought many a fine tune from the British Isles to our local dances. Kaity also plays viola in the local community orchestra and has four children, all of whom play music and come to camp every year. 7 Creek Lane Damariscotta ME 044543 207-563-8440
     
  • Maisie Newell

     
  • Mali Obomsawin

    Mali Obomsawin is originally from Farmington, Maine, and grew up attending Maine Fiddle Camp for bass and mandolin. A Franklin County Fiddlers alumna, she went on to study jazz performance at Berklee College of Music for four semesters before transferring to Dartmouth College where she will graduate in 2018. Mali sings and plays bass in her nationally touring band Lula Wiles (who met at MFC!), and has performed at premier festivals and venues along the east coast. She has shared the stage with Laura Cortese & the Dance Cards, Matt Glaser, Greg Liszt, Caitlin Canty, Stash Wyslouch, and Jason Annick, among others. (more)
     
  • Bill Olson

    Bill Olson teaches both guitar and upright bass at Maine Fiddle Camp. He is probably best known at home and abroad as a contradance caller and choreographer. Bill has played and called for dances in 25 states and his dance compositions, known for their high potential energy and excellent flow, and are called by contradance callers all over the world. Bill started playing guitar in 1958, dancing in 1976, calling in 1985, and playing bass in 1993. He has been singing all his life.
     
  • Hannah Otten

    Hannah Otten grew up in upstate New York, living both near the banks of the Hudson River and within the Catskill Mountains. She began playing classical viola at the age of 9, picked up a violin at age 15, arrived at Maine Fiddle Camp, and kept on playing traditional fiddle styles from there. Hannah has a clear and playful teaching style that serves camp well as a member of the beginner team. (more)
     
  • Ed Pearlman

    Ed Pearlman enjoys many styles of fiddle music but is best known for Scottish and Cape Breton fiddling, often working with his wife, dancer Laura Scott, and their family band, Highland Soles (www.highlandsoles.com). Since the mid 1990s, he has taught fiddle in Portland, and written the music column for Scottish Life magazine. Ed has worked closely with top artists such as Alasdair Fraser, Natalie MacMaster, Tony Cuffe, Aly Bain, Jerry Holland and many others, especially when he directed the Boston Scottish Fiddle Club, 1981-99. His latest CD is On the Edge with son Neil on piano. Ed has played various Celtic and American styles, Eastern European and classical. For more info & some fiddling resources, see http://www.edpearlman.net - 207-650-2030
     
  • Neil Pearlman

    Neil Pearlman is emerging as one of the traditional music scene's most innovative young artists. Legendary Cape Breton fiddler Jerry Holland said that "watching Neil's hands on the piano is like watching two spiders on crack!" His piano style is rooted in Cape Breton traditions while drawing on latin, jazz and funk influences. The result is a exciting new sound that remains true to its traditional roots. An accomplished Cape Breton step dancer and mandolinist as well, Neil grew up in the family band Highland Soles and (more)
     
  • Julia Plumb

    Julia lives and teaches fiddle and clawhammer banjo in Belfast, Maine. Equally at home on the stage and on the dance floor, Julia loves the percussive interplay between traditional music and dance forms and has enjoyed soaking up bits and pieces from players and dancers throughout New England and in Québec, Ireland, Brittany, and the southern Appalachians. Julia plays with Baron Collins-Hill in their duo Velocipede (www.velocipedemusic.com) and loves connecting people with music and dance. In addition to teaching at camps and in face-to-face lessons, Julia maintains freefiddlelessons.com, where she creates YouTube fiddle lesson videos and learning materials. Julia has achieved her 2010 goal to make her life more like Maine Fiddle Camp!
     
  • Doug Protsik

    Doug ProtsikDoug likes to play the "old-time piano" for dances, melodramas, honky tonk saloons, and silent movies. He learned his style from Otto Soper, Geneva Walton, and Danny Patt among many others. He plays with Old Grey Goose and produced all three of their recordings, including the group’s first recording in 1978 for Folkways, "Old Time Country Dance Tunes and Songs from Maine", now available again on CD. Doug also plays piano, accordion, and fiddle. He is the Camp Director again this year.  116 Pleasant Cove Dr. Woolwich ME O4579 207-443-5411
     
  • Sharon Pyne

    Sharon has been a student of tin whistle and wooden flute since 1977 when she attended the Willy Clancy Summer School while working in Ireland for the year. On her return to Boston to care for her grandmother, she studied with master flute players in the Hanafin /Cooley Comhalthus branch. She move to Maine to raise her children and became a member of the Portland Ceili Band and Ladies of the Lake. She runs a music studio in Bath, Maine where she teaches flute and whistle and Music Together. For a few months every year since 2000, she happily lives and breathes Maine Fiddle alongside director Doug Protsik.  Sharon can be contacted at email hidden; JavaScript is required or 207-522-3900.
     
  • Alden Robinson

    Alden Robinson learned to play the fiddle as a child growing up in coastal Maine. His earliest lessons came from Tamora Goltz, Katie Newell, and from the teachers at Maine Fiddle Camp. In college, he studied Irish fiddle in Ireland at University College Cork, and in several pubs. For the past five years or so he has toured and recorded with The Press Gang, an Irish trad band from Portland. He also loves playing for contra dances and performs to several dance bands, including "Riptide", which features Owen Marshall and Glen Loper. (more)
     
  • Beth Robinson

    Classically trained cellist Beth Robinson has been teaching cello to students ages 4-adult for nearly 30 years. Based in Potsdam, NY, she began playing for dances in the late 1980’s at a time when there were few cellists to guide her and so she looked to other instrumentalists for inspiration. Her mentors and teachers include fiddlers David Kaynor, George Wilson, Claude Methe, pianist Jacqueline Schwab, and guitarists Dana Whittle and Paul Marchand. (more)
     
  • Maggie Robinson

    Maggie Robinson has been teaching fiddle since 2003.  She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year.   Many years later she discovered Contradancing and fell in love with the music  She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”. Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
     
  • Cindy Roy

    Cindy is an accomplished piano accompanist and stepdancer and has collaborated with her husband, Don Roy on numerous recordings and performances. 114 Plummer Rd. Gorham ME. 04038 892-3512
     
  • Don Roy

    Don learned how to play the fiddle from his Uncle, Lucien Mathieu when he was 15 years old, and soon after became influenced by his fiddling friends Ben Guillemette, Joe and Gerry Robichaud, and Graham Townsend. His personal style would show strong influence from the Canadian provinces and Northern Ireland. Don started and managed The Maine French Fiddlers with his wife Cindy, an accomplished piano accompanist and stepdancer, for 11 years during which he played such venues as Carnegie Hall, Lincoln Center, The Barns at Wolf Trap, Prairie Home Companion. (more)
     
  • Lissa Schneckenburger

    A new England fiddler and folk singer, Lissa grew up in Maine as an active member of the folk music and dance community, where she cut her teeth as a musician at a very young age. She has continued to explore music throughout her life, leading to her graduation from The New England Conservatory of Music in Boston, Massachusetts (2001). Her list of mentors includes Greg Boardman, Alasdair Fraser, David Kaynor, and Hankus Netsky. While embracing a diverse pallet of musical influences, she still stays true to her New England roots. For more info on Lissa, check out her website at www.lissafiddle.com
     
  • David Surette

    One of New England's finest guitarists, David Surette has been quietly generating a growing following for his work as a soloist. His solo albums "Back Roads" and "Trip to Kemper" have helped to establish him as a top player and arranger of Celtic fingerstyle guitar, yet his diverse repertoire also includes original compositions, blues and ragtime, traditional American roots music, and folk music from a variety of traditions, all played with finesse, taste, and virtuosity. He is equally at home on the mandolin and bouzouki, and is well-known as a top-notch accompanist in New England's contra dance and Celtic music circles, and is also in demand as a studio musician and sideman. www.burkesurette.com
     
  • Julie Vallimont

    Julie Vallimont performs nationwide on piano and accordion with the bands Buddy System and Nor’easter and other collaborations.  She plays for contra, English, and French dancing.   A former classical pianist and organist, she fell in love with traditional music and dance, and since then has gone on to perform at numerous festivals and music camps.  Drawing on teaching skills developed over fifteen years as a natural science educator, Julie enjoys teaching and leading workshops. 

     
  • Bethany Waickman

    Bethany Waickman is a guitarist based out of Portland, Maine. She grew up in a musical family in the Adirondack Mountains of northern New York state. After college she spent some time traveling, hiking, and playing music in Ireland. Upon returning, she moved to Boston to focus on music. She co-founded the contra dance trio, Anadama, and is the guitarist for VT-based fiddler/singer Lissa Schneckenburger. (more)
     
  • Pam Weeks

    Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol'Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes. Pam has toured throughout the U.S. with her bands, playing for contradances, concerts, and teaching at festivals and workshops. (more)
     
  • Steven Weiss

    Steven Weiss began blowing harmonica when he was four years old. His father and grandfather both played the mouth organ as well. Growing up in the more popular cross-harp rock/blues/boogies styles, he began playing straight harp (melodies rather than chords or blues)- traditional, mostly old-timey, tunes on the harmonica in 1970, hanging out with southern tow boat pilots on the Ohio River near where he went to college. This was followed by many years living in Maine playing for contradances, folk clubs, concerts, festivals and playing back-up for other performers. (more)