August Week I Fiddle
Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. (more…)
Mary Fraser began her musical life by training in classical violin for thirteen years, concluding with a Suzuki method violin teacher certification. She then left the classical music world and traveled extensively throughout the UK, immersing in the traditional music of her heritage. Carrying right on into the southern US states to study the old time fiddle styles of eastern Kentucky, West Virginia and North Carolina. (more…)
Mia Friedman is a virtuosic fiddler and singer. She is largely influenced by American roots music and old-time Appalachian traditions, and blends this with contemporary experimental music in her compositions. She graduated from New England Conservatory in 2012 where she studied with Anthony Coleman, Carla Kihlstedt, and Hankus Netsky, and is an active composer, performer, and educator. Mia has a private studio of fiddle students, and also teaches at two El Sistema inspired music programs in the Berkshires. (more…)
Ellen Gawler is a celebrated fiddler, masterful in many styles, including Irish, French-Canadian, Maritime, Shetland and New England. Her fiddling possesses sparkling clarity, authentically rooted in tradition while at the same time inventive and playful. Her lively delivery of traditional fiddling has sent many a contra dance hall into whirling delight with soaring melodies and driving rhythms. (more…)
Pascal Gemme has a degree from St-Laurent College (Montreal) in arranging and classical/jazz guitar, he has since been searching for seldom-heard songs and melodies, interpreting them in his unique and unmistakable style. Originally inspired by his fiddling grandfather, he has played with (and learned from), most of today’s great Quebecois fiddlers and singers. On top of teaching fiddle lessons on a weekly basis in his village of Waterville, QC, his teaching highlights include the Irish World Academy of Music and Dance in Limerick, Ireland, the Goderich Celtic College in Ontario, Quasitrad Music Camp in Australia, The Festival of American Fiddle Tunes in Port Townsend, Alasdair Fraser’s Fiddle Train, Sierra Fiddle Camp and Valley of the moon…AND Maine Fiddle camp of course (the best one of them all)!
Born into a musical family, Ed started playing fiddle at the age of 4, learning Suzuki method. His musical interests cover a wide spectrum from Bluegrass to Celtic and beyond and he has been a regular instructor for Maine Fiddle Camp since 2003. Howe has an extensive electronics background, and took an interest in the electric violin. He plays a 5-string NS Design electronic violin and is a featured artist on the NS design artist page. (more…)
Elaine Malkin has played the violin since the age of 5. She was part of the resurgence of contra dances in Maine in the early 70’s, having learned from Otto Soper and Dudley Laufman. She played New England contra dances until 2009, when she began an intensive study of Québécois fiddle with mainly Éric Favreau, but also with Lisa Ornstein, André Brunet, Yvon Mimeault, and Liette Remon. This music has completely captured her heart and she uses a traditional Québécois repertoire for contra dances, concerts, and other venues. Learning, teaching, and sharing this special music is her greatest joy.
Steve Muise has been fiddling his family’s Downeast Style for many years. (His parents are 1st and 2nd generation Nova Scotians) He founded the Franklin County Fiddlers, a group of high school musicians that tours around Maine and way beyond displaying, promoting and learning about fiddle styles. Steve is a graduate of Berklee College of Music, and is a stringed instrument teacher in the MBRSD schools (Farmington area). Steve was honored with the “Maine Music Educator of the Year” award in 2007 from MMEA. Steve enjoys playing all styles, ranging from Downeast (maritime), Québécois, Celtic, and jazz, and can be seen playing music with his dad Paul, Boréal Tordu, Frigate, Muisette and the Franklin County (more…)
Kaity teaches fiddle in Damariscotta and has played for dances for many years with The Maine Country Dance Orchestra, and with the band The Lady Bugs. A native of Great Britain, Kaity has brought many a fine tune from the British Isles to our local dances. Kaity also plays viola in the local community orchestra and has four children, all of whom play music and come to camp every year.
7 Creek Lane Damariscotta ME 044543 207-563-8440
John started his early musical life as a drummer, but by some miracle got hooked on traditional music in his teens.
John’s been teaching fiddle and harmonica at MF Camp since its start in the mid 90’s. He’s been known to get a few silly skits going for the evening variety show. He teaches fiddle, guitar and harmonica privately and can be contacted at [email protected] 338-0296 (cell 213-3294).
Maggie Robinson has been teaching fiddle since 2003. She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year. Many years later she discovered Contradancing and fell in love with the music She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”.
Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.
Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol’Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes.