August Week II

Elizabeth Anderson is the 2020 US National Scottish Fiddle Champion and the 2016 Perth All-Scotland Fiddle Champion.  Her stylish and vibrant fiddle playing has delighted audiences and dancers across the East Coast. As a duo with her brother Ben on cello, Elizabeth has played to full houses at iconic Boston venues The Burren and Club Passim, and has given popular performances and workshops as far away as France and Scotland.  A graduate of Berklee College of Music, she teaches string instruments as a middle school and private instructor.

Mia Bertelli grew up in the mountains of New Mexico, singing at every chance she could get. Her love of song led her to Vermont at the age of fifteen, where she dove into the polyphonic singing camps of Village Harmony like a penguin into the sea. Since then she has been filling kitchens, streets, concert halls, vegetable gardens, and public restrooms with song, both in the northeast and overseas. Her irrepressible inclination to harmonize and great love of playful nuance have mostly gotten her into all the right sorts of trouble, so she counts them among her blessings.   (more…)

Susie Burke has been singing and performing since the early 80s, as a soloist, and a member of several bands and duos, the longest running being with David Surette. Her musical tastes and influences are varied, encompassing contemporary and traditional folk, swing, country, topical songs, and acapella singing, with detours along the way for Broadway showtunes and classic ballads. “She posesses one of the finest, purest ballad voices heard in folk music today” wrote Scott Alarik in the Boston Globe, noting that “her phrasing is unerringly devoted to the lyric…Burke displays a gift for pulling honest emotional chords – all too rare in these clever and cynical times.”  (more…)

A self-described “tune hound,” Jim DiCarlo has been playing Irish music on whistle and wooden flute for contra dances, at sessions, and in the hallways of music festivals for the past 25 years.  He loves learning new tunes and has even composed a few of passable quality.  A long-time member of the Maine-based, not-entirely-traditional group Wake the Neighbors, he played alongside Lissa Schneckenburger, John Cote, Jessie & Greg Boardman, Ed Howe, Anthony Shostak and Alfred Lund.  (more…)

Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music. (more…)

Mary Fraser began her musical life by training in classical violin for thirteen years, concluding with a Suzuki method violin teacher certification.  She then left the classical music world and traveled extensively throughout the UK, immersing in the traditional music of her heritage.  Carrying right on into the southern US states to study the old time fiddle styles of eastern Kentucky, West Virginia and North Carolina.  (more…)

Ellen Gawler is a celebrated fiddler, masterful in many styles, including Irish, French-Canadian, Maritime, Shetland and New England. Her fiddling possesses sparkling clarity, authentically rooted in tradition while at the same time inventive and playful. Her lively delivery of traditional fiddling has sent many a contra dance hall into whirling delight with soaring melodies and driving rhythms. (more…)

Daniel is a Philadelphia-based cellist, student, and teacher. He’s played with the Richardson Chamber Players, the Delaware Symphony Orchestra, the Boston Philharmonic, and various other ensembles and contradance bands. He released “Ride EP,” a DVD of original multimedia art, in 2012. He co-founded and served as artistic director of the Ottsville Traditional Arts Center in Bucks County PA from 2013-6, and has also taught at Maine Fiddle Camp, Fiddle Hell, Summertrios, Princeton in Asia, and Open Access to Music Education. He endeavors to make his cello teaching as accessible as possible to all, and to emphasize the participatory nature of the traditions he teaches.

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Born into a musical family, Ed started playing fiddle at the age of 4, learning Suzuki method. His musical interests cover a wide spectrum from Bluegrass to Celtic and beyond and he has been a regular instructor for Maine Fiddle Camp since 2003. Howe has an extensive electronics background, and took an interest in the electric violin. He plays a 5-string NS Design electronic violin and is a featured artist on the NS design artist page. (more…)

McKinley James is a cellist studying at McGill University’s Schulich School of Music. She has also played with the Portsmouth Symphony Orchestra, Middlebury College Orchestra, McGill Symphony Orchestra, and the New England Conservatory Symphony, and soloed with the Champlain Philharmonic Orchestra.
She is a founding member of the band Night Tree. The group, all students at NEC, were named the Conservatory’s WildCard Honors Ensemble for 2016-2017. Awards for this title included a sponsorship from NEC, a headlining performance at the historic Jordan Hall, and a year of working with Winifred Horan, fiddler and co-founder of Irish super-band, SOLAS. As acoustic sextet Night Tree, Brian O’Donovan, Senior DJ at Boston’s own radio station, WGBH, calls them “One of the most exciting roots-based music groups to emerge from the New England Conservatory in many years. Their individual chops and adventurous approach make Night Tree a band to watch for.” Together they have toured throughout the US, opened for Solas in Portsmouth Music Hall, and played in Jordan Hall, Museum of Fine Arts, Boston Public Library, and Rockwood Music Hall. They released their debut album in 2017 and toured in Europe in 2018. She has also toured in China with her piano trio. She studied with Yeesun Kim at the New England Conservatory for her Bachelor’s Degree

One of the most in demand upright bass, and five-string banjo players on the US contradance circuit, Stuart Kenney’s regional musical interests sweep from Southwest Louisiana to Acadia. He has a long career in many traditional music genres. His interest in Quebecois music formed through the fiddling of Lisa Ornstein, and performances by La Bottine Souriante. The inclusion of French Canadian music into the living tradition of New England contradance music caught his attention early on. (more…)

Bennett Konesni grew up in Appleton, Maine, 10 miles downstream of Maine Fiddle Camp.  He was naturally drawn into the strong communities of old-time music, sailing, and farming in the area.  At thirteen he shipped as a deckhand aboard local schooners, sailing Penobscot Bay and learning the traditional work songs of the tall ships as he raised sails and hauled anchor.  Later, at Middlebury College, Bennett co-founded the student farm and spent six months studying Zulu farming songs in South Africa.  (more…)

Carter plays banjo with his band “Jerks of Grass” and also plays for dances. He has a unique repertoire and we are pleased to have him on staff at camp
www.jerksofgrass.com

Glen gives private lessons for mandolin and tenor banjo from his home in Portland, ME, and plays for contradances throughout the Northeast, and at festivals across the country with bands such as Frigate, Steampacket, Riptide, and Stomp Rocket.   Visit Glen at www.glenloper.com.

49 Brackett St, Portland ME, 04102
Phone: 207-837-8249

Elaine Malkin has played the violin since the age of 5. She was part of the resurgence of contra dances in Maine in the early 70’s, having learned from Otto Soper and Dudley Laufman. She played New England contra dances until 2009, when she began an intensive study of Québécois fiddle with mainly Éric Favreau, but also with Lisa Ornstein, André Brunet, Yvon Mimeault, and Liette Remon. This music has completely captured her heart and she uses a traditional Québécois repertoire for contra dances, concerts, and other venues. Learning, teaching, and sharing this special music is her greatest joy.

Kaity teaches fiddle in Damariscotta and has played for dances for many years with The Maine Country Dance Orchestra, and with the band The Lady Bugs. A native of Great Britain, Kaity has brought many a fine tune from the British Isles to our local dances. Kaity also plays viola in the local community orchestra and has four children, all of whom play music and come to camp every year.
7 Creek Lane Damariscotta ME 044543 207-563-8440

Ed Pearlman enjoys many styles of fiddle music but is best known for Scottish and Cape Breton fiddling, often working with his wife, dancer Laura Scott, and their family band, Highland Soles (www.highlandsoles.com). Since the mid 1990s, he has taught fiddle in Portland, and written the music column for Scottish Life magazine. Ed has worked closely with top artists such as Alasdair Fraser, Natalie MacMaster, Tony Cuffe, Aly Bain, Jerry Holland and many others, especially when he directed the Boston Scottish Fiddle Club, 1981-99. His latest CD is On the Edge with son Neil on piano. Ed has played various Celtic and American styles, Eastern European and classical. For more info & some fiddling resources, see http://www.edpearlman.net – 207-650-2030

John started his early musical life as a drummer, but by some miracle got hooked on traditional music in his teens.

John’s been teaching fiddle and harmonica at MF Camp since its start in the mid 90’s.  He’s been known to get a few silly skits going for the evening variety show. He teaches fiddle, guitar and harmonica privately and can be contacted at [email protected] 338-0296 (cell 213-3294).

Doug likes to play the “old-time piano” for dances, melodramas, honky tonk saloons, and silent movies. He learned his style from Otto Soper, Geneva Walton, and Danny Patt among many others. He plays with Old Grey Goose and produced all three of their recordings, including the group’s first recording in 1978 for Folkways, “Old Time Country Dance Tunes and Songs from Maine”, now available again on CD. Doug also plays piano, accordion, and fiddle. He is the Camp Director again this year. 
116 Pleasant Cove Dr. Woolwich ME 04579 207-522-3800

Maggie Robinson has been teaching fiddle since 2003.  She began taking fiddle lessons the age of 10 and became concert mistress of her school orchestra during her senior year.   Many years later she discovered Contradancing and fell in love with the music  She took the violin out of the closet and began learning fiddle tunes. She completed a course in 2003 at the Hartt College of Music, Theater, & Dance on “Teaching Fiddling”.

Currently she is teaching at several locations in greater Portland, and also regularly calls for contra dances around the state.

Bethany Waickman is a guitarist based out of Portland, Maine. She grew up in a musical family in the Adirondack Mountains of northern New York state. After college she spent some time traveling, hiking, and playing music in Ireland. Upon returning, she moved to Boston to focus on music. She co-founded the contra dance trio, Anadama, and is the guitarist for VT-based fiddler/singer Lissa Schneckenburger. (more…)

Pam sings and plays several instruments in the folk trio, T-Acadie, is fiddler and singer for the Maine-based Cajun dance band, Jimmyjo & the Jumbol’Ayuhs, plays fiddle and mountain dulcimer in the contradance band, Scrod Pudding, and performs solo or with guitar player and caller Bill Olson. She is an accomplished tunesmith and has composed scores of tunes, from lively jigs and reels, to entrancing airs and beautiful waltzes.

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Dr Steven Weiss (he is an osteopathic physician) began blowing harmonica when he was four years old. His father and his grandfather both played the mouth organ as well.

Growing up in the more popular “cross-harp” rock/blues/boogies styles, he began playing “straight harp” style (melodies rather than chords or blues):  traditional, mostly old-timey, tunes on the harmonica in 1970, hanging out with southern tow boat pilots on the Ohio River near where he went to college. This was followed by many years living in Maine playing for contradances, folk clubs, concerts, festivals and playing to back-up other performers.

Although he is perhaps best known for his playing of fiddle tunes and traditional music (he has won fiddle and traditional music contests playing tunes on the harmonica), he loves pushing the instrument’s musical envelope playing rhythm vamps (known in Piedmont Blues style as “The Wind Chops,” accompaniment, blues, jazz, classical and old swing standards. He has performed extensively with various bands, including most recently the nine piece funk band “The Truthseekers” based in New York City.