Well, as most of you know, we are back in Montville at Camp NEOFA for Maine Fiddle Camp 2023!
As has always been the case, we offer fiddle, piano, guitar, mandolin, ukulele, cello, flute and whistle, banjo, bass, singing, at all sessions PLUS mountain dulcimer June week, harmonica second August week, piano accordion June week and 2nd August week, button accordion June weekend and first August week. (Some minor changes possible).
Maine Fiddle Camp focuses on the traditional dance music of the Scots-Irish, French-Canadian, and Scandinavian traditions as they’ve evolved in Maine. Our large staff of traditional musicians play and teach all the instruments mentioned above and more, in workshops, performances, jams, song swaps, and dances. Click HERE for a typical camp schedule.
The “Loons” nest on the shores of True’s Pond
Maine Fiddle Camp is a multi-generational, outdoor, lakeside, summer camp experience on in Central Maine. A trad music camp for all ages and abilities, it is not unusual to have campers aged 7 and 70 playing together on stage at the same time!! Campers stay in rustic bunkhouse cabins or in their own tents or RVs. Youths either stay in cabins or in tents or campers with their families. All campers have convenient access to bathrooms and hot showers. Good music and good food are elegantly combined at MFC. The wholesome meals and snacks are eaten outdoors under the main dining tent, and classes are held in “nests” named after Maine birds, also held mostly outdoors. Mornings and early afternoons are spent in classes, with campers grouped by ability for small group instruction. Later afternoons offer time for special interest workshops, to practice on your own or with a friend, or for non-musical fun such as games and swimming. In the evenings, there is singing around the campfire, plus concerts, an old time country dance, and an “old time variety show” featuring performances by both staff and campers, all under the big tent. There are usually 3 guided jam sessions in the evenings and MANY other activities. Spontaneous jams are apt to happen almost anywhere, at any time, as campers enjoy swapping tunes and sharing the music they are learning in their classes. Plus bring your HORN!! The Great Horned Ukestra will be back, and while it’s not an official camp nest, we practice every afternoon and have a gig every night for the dance. Horns of all types (sax, trombone, coronet, trumpet, clarinet, tuba, MORE…) were very much a part of the country dance orchestras back in the day. We’ve added Ukuleles too!! Come join the fun!
Jamming in the Martins’ tent
Musicians of all ages and ability levels are welcome at Maine Fiddle Camp. Children under twelve must be accompanied by an adult. A weekend or week at Maine Fiddle Camp makes a great family vacation. Rates are affordable—it’s twice the camp for half the price! Scholarships are available. Space is limited and early registration is encouraged. Tunes are taught by ear, in the traditional manner. Prior to each year’s first session, a new collection of tunes is posted on the MFC web site in both sound recording and sheet music formats and campers are encouraged to take advantage of this valuable resource year-round. Volunteer help is always welcome! For more info, visit the MFC website HERE. Want o see what all the fuss is about? Visit the MFC YouTube channel HERE.
Sunrise at MFC
One feature we did not have last year was the appearance of “special secret surprise guests”, but they will be BACK in 2023! (I’d tell you who but it’s a secret!) All this is part of Maine Fiddle Camp, where you get (let’s hear it!…) TWICE THE PROGRAM AT HALF THE PRICE! We’d love to hear from YOU too! If you have some suggestions or comments, contact Doug or Jo-Anne. If you have something good to say about Maine Fiddle Camp, think about writing a testimonial and sending it in..
OK, so this makes you want to sign up, right? Here’s the link to the reg
We lost Ben Guillemette, his having preceded everyone reading this to the heavenly dance band at age 95.
I first met Ben when he showed up with “Toots” Bouthot (our Joanne’s father!) in 1975 to compete at the East Benton Fiddlers’ Convention. We young upshot fiddlers knew we were listening to fiddling and piano accompaniment gravitas, a major cut above anyone else who took the stage (a flatbed trailer in front of the Littlefield farm blacksmith shop) that day. I remember his playing as having that indescribable dynamic of a technique that comes from a special dedication, and feeling that comes from a deep engagement with his own being and inheritance, both cultural and universal.
He was, in fact, too good for the judges that day, and asI remember, “lost” to Dave Livingston’s soulful jiggery–soulfulness of a different sort, for sure. Ben’s gracefulness was not slow to shine after that, and we all soon learned of the generosity he had along with his intensity, a dynamic we learned to savor in his company as a mentor and friend. He was the real deal, as a human being and carrier of traditional French music, which he in turn enriched with his truly catholic interests in any violin music played with heart.
Ben loved working with wood, and over time moved from house carpentry to cabinetry to violin-making–from structures that shelter people to what holds their food and goods to that which houses their hearts, which fiddlers know only opens fully when someone pulls the bow over the string, to pry into and celebrate the mysteries of existence and the love that gives life and sustains us all.
There is a lot in Maine Fiddle Camp that is of Ben Guillemette, having touched my life and the lives of our founding staff in profound ways, guiding us all toward the savoring of every participant at every stage of their lives, musical or otherwise.
— Greg Boardman
Don Roy and Ben Guillemette
I met Ben in 1975 when Uncle Lucien and I visited with him at his home in Sanford. Within minutes we had the fiddles out with Ben was giving me pointers, sharing tunes and telling really great stories. Ben and Lucien began joyfully needling each other about whatever subject offered the opportunity to do so. The fun lasted for the duration of the visit. This scenario was repeated every time I visited Ben and we soon became good friends and he became a mentor. On Saturdays as a young, newly married man, I would visit Ben at his cabinet shop in Alfred. He had a piano in a spare room and we would go in there to play music for a couple hours. He always took time to teach me some technical aspects of playing the fiddle. I like to think that Uncle Lucien taught me the tunes but Ben taught me how to play them.
Ben was quite the player. He was self taught. In the service he bunked with a classical violinist with whom he credited much of his knowledge about playing the violin. He played in a Bluegrass band for 13 years touring across Canada; he played on the Grand Old Opry in Nashville a few times, won many prestigious fiddle contest and the list goes on and on. He was very humble and rarely talked about his credentials.
Throughout the years Ben, Uncle Lucien and I along with our spouses and friends journeyed all over the North East playing concerts, attending fiddle contests and parties. Ben and his grandson Daniel were part of the first Maine French Fiddlers group who played Carnegie Hall, Lincoln Center and many other venues. The trips to these events are as memorable as the events themselves, or more so. Ben and Lucien once started a conversation during a van trip to Aroostook County about the difference between onions and scallions that lasted for hours! BTW it was unresolved! It was always fun!
No one loved the violin and violin music more than Ben. Right up to his passing he would call me with news about some player or tune he just heard, just as excited as he was in 1975. Ben lost his index finger on his left hand when he was in his eighties and taught himself to play with the other 3 fingers left. He was still making violins at age 95. When he wasn’t playing or making fiddles he was watching music on TV. He was a lifelong student of the music and was always eager to share his knowledge.
Ben was a devout Catholic with tremendous faith. He had a beautiful love for his family and taught his grandsons to play fiddle. He was married to Harriet for 69 years. She passed away 364 days before Ben and he told me last year “she was just as beautiful as she was when I met her”. His life was full of joy that was very contagious. I was truly blessed to have met Ben and he will be missed.
— Don Roy
Mother Marc’s Waltz, a favorite of Ben Guillemette
It is our sad duty and honor to announce the passing of a long time Maine Fiddle Camp teacher and inspiration David Surette, whose family, music, and spirit were perfect examples of the kind of leadership that has made MFC the “nurturing while learning” community it is. There will be tributes to him occurring throughout the vast legion of friends, musicians, dancers, listeners, and family, so look for some offerings from us in the near future as we reflect on his influence. We will miss him greatly. All our loving best to Susie, Isa, Julianna, all veterans of MFC, as his spirit lives on through his music.
“Huey explores the changing relationship of two top folk musicians and captures a joyous facet of Maine life. From start to finish the film is a unique, sensitive and satisfying contribution to understanding our time and place.”
(William D. Barry, Maine historian and writer).
“Bonsoir Mes Amis” features cameo appearances by MFC’ers MFC Ellen and John Gawler, Greg, Doug, Smokey, Don and Cindy, plus others from Maine’s Franco community. The film is a wonderful look at how traditional music and dance helps build and maintain community!
Come to the Maine Tent Zoom Room at 6:00 pm EST the filmmaker to put the film in context (and some live music). Watch the film premiere live on YouTube 6:30 – 7:30. Then rejoin the Zoom gathering for questions, dialog, music and rememberances.
A note from Greg Boardman: We would just like to tell you about the upcoming Maine Country Dance Fiddle Workshop this February 13, 2021. We are still negotiating for a hall in which to invite the first five registrants of each group, advanced, intermediate and beginner, to do the live portion of the workshop (wearing masks and keeping our distance, of course). Simultaneously, the entire workshop will go out on Zoom and thus involve as many folks as care to participate. [Read more…] about Maine Country Dance Fiddle Workshop, Feb 13, 2021
An online traditional music camp for all ages and abilities!!!
“Twice the program at half the price”. We laugh but it’s really not a joke. Read on!
What is MFC? Why is it different? I am often asked “why is Maine Fiddle Camp different?” I don’t normally answer that question here on the MFC newsletter because I’m pretty much preaching to the choir, BUT with the advent of “Virtual” MFC this past June, things have changed a bit. With an enlarged audience that doesn’t have to travel to Maine to go to camp, many of you out there reading this might not know much about MFC, so I thought I’d start out with a short description. The following (PRE-COVID) blurb is from a piece I wrote in 2018. Here we go:
Most Fiddle Campers know who Sylvia Miskoe is. She has been teaching piano accordion at Camp for a couple decades, a petite woman with blonde/grey/white hair walking through Camp with an accordion slung over her back. Sylvia loves traditional Scottish dance music and also New England traditional dance music and old time country dancing. [Read more…] about Interview with Sylivia Miskoe
Jeremiah, Annemieke, and Luke McLane’s house in Strafford, VT burned to the ground on Tuesday night. Luckily, they were not home and no one was hurt. However, they lost all their possessions—including their treasured instruments. Jeremiah is the second MFC staff member (after Kaity) to lose a house to fire this summer.
Most of you know from FaceBook that long time MFC staff member, Kaity Newell’s, home in Damariscotta burned to the ground last week. Kaity is fine as are her dogs, cats, chickens, car and fiddle. Everything else is pretty much gone. There is a go fund me campaign started to help Kaity recover from this devastating loss, and you can find that here: www.gofundme.com/f/kaity-newell-fire-recovery I can’t say enough about how big a part Kaity has been in the traditional music scene in Maine for the last 40 years or so. Please help as much as you can!
Those of you who registered for V-MFC all received a survey form to fill out. If you haven’t done that yet, please do, so we know what we did right and what we could improve on. We will definitely have more Maestro Bistros throughout the summer and there is talk about a “virtual winter MFC”, but no definite plans at this point. There are still “Camper Concert” Virtual Ensemble videos being processed and you can stay informed by watching the website and all news will be carried on the newsletter right here!! And of course, we are still hoping to get back to REAL “in person” live Maine Fiddle Camp in 2021. We will keep you informed right here!!
Well… we ALL did it!! Virtual Maine Fiddle Camp is over and it was an unqualified success. There were close to 500 registered campers and well over 1000 who “stopped by.” (Many stayed!) I’d like to let you know about the “crew” who put this all together. This was unchartered territory, and starting approximately one month before the virtual camp, we pretty much made it up as we went. Some of the MFC staff had familiarity with Zoom meetings and other interactive online platforms. Others had knowledge of YouTube, and others yet were familiar with website design, etc. None had EVER done anything approaching the scope of Virtual Maine Fiddle Camp 2020, but we wanted to give it a try. Read on if you want to know who made this happen… [Read more…] about VIRTUAL MAINE FIDDLE CAMP IS THE BEST EVER!!!
My family and I have initiated the FIDDLE HELL ONLINE JAM, every Wednesday at 5PM Eastern Time, live streaming on the Fiddle Hell Massachusetts Facebook group. That’s 4PM Central, 3PM Mountain, and 2PM Pacific. We will also jam every Sunday at 8PM Eastern Time. That’s 7PM Central, 6PM Mountain, and 5PM Pacific time.My wife Cindy and I are taking time every day to play tunes together. We’re remembering old ones and learning some new ones. Playing music takes us to a good place . As well, our son Andy and his wife Joy are doing a lot of creative playing, and our son Eric and his fiancée Autumn Rose are never far from their instruments.
The Ashokan Center offers interactive online Music & Dance Camps this summer. Attend workshops, concerts, hangouts, sing and play-alongs, and much more. At Western & Swing Week (June 29-July 5), learn vintage Jazz, Swing, Western-Swing, Country, and everything in between. At Northern Week (July 20-26), the focus moves to New England, Québéc, Sweden, France, and the British Isles. Then at Southern Week (August 17-23), it’s Appalachian, Old Time, Cajun and Zydeco music and dancing. Ashokan will also hold Acoustic Guitar Camp (July 29-Aug. 2), Family Camp (Aug. 5-9), and Bluegrass Camp (Aug. 12-16). All 2020 camps are online – learn more & sign up at: ashokan.org
“When we were in our twenties searching out the old-timers who played for the country dances in Maine, all the fiddlers said their idol was Don Messier. For many decades he kept the fiddle tradition alive and crystallized the regional “downeast” or “Canadian” style of fiddling. He was an inspiration to them and they all aspired to be as good. I always admire how he took the local fiddling, dancing and singing traditions from the Maritimes and created a variety show around fiddle tunes. His Canadian broadcasts were avidly picked up by Mainers. He was an enormous influence throughout Canada and Maine. Here is a link to some of his shows.”
This is a dance tune we played for many years, along with The Dominion Reel. It works great and is an intermediate level classic. This tune was first collected by Smokey Mckeen, Greg Boardman, John Gawler, and Bob Childs around 1976 when visiting maritime folklorist -tune collector Gale Huntington in Cape Cod. He played it for them on a button accordion.
I think it is on the OGG Folkways recording from 1978. — Douglas Protsik
So here’s the fairly thrilling story of the piano the Oshima boys grew up plunking away on as kids in Whitefield. Toki’s mother’s old upright was gifted to us early on, and we all enjoyed years of its musical generosity. We had the old-timer tuned countless times and refurbished more than once. But finally, a couple years before we moved to Belfast, it was beyond repair and it ended up out on the screen porch. Here it hunkered down, functioning as a table of sorts at pot-lucks; a dusty collector of stuff; a plant stand, etc. There, hit by sideways spraying rain or snow, spilled lemonade, or manhandled by a new generation of young musical explorers, it stood, dignified, with unflagging posture. [Read more…] about The Grand Life of Upright Piano
Hi Fiddle Campers and prospective Fiddle Campers! As most of you know, the complete 2020 season of MFC has been cancelled due to the coronavirus. *sigh*.. BUT the MFC staff has put together a team to work on a “Virtual Fiddle Camp”. We plan to keep the spirit of MFC alive with live streaming concerts, workshops, presentations, music videos, one on one or group lessons with your favorite instructor, and MORE!! This will definitely be the BEST virtual Fiddle Camp ever!!! You can help to that end by donating with the knowledge that your donation will be going to help underwrite this project and help the MFC staff who are working on the project, many of whom have lost some or all of their livelihood. So keep an eye right here on the website for updates.. Stay safe!!
Dear MFC Campers and friends, It is my sad job to inform you all that we are canceling this season of MFC due to the obvious uncertainty of the virus situation. Most camps have done the same. The plan, just for now, will be to return with the same line up and (approximate) dates in 2021. In the mean time we plan to keep the spirit of MFC alive with live streaming concerts, workshops, presentations, music videos, etc., maybe even a “virtual” online fiddle camp. We are putting together a team to work on that now and you can keep updated on the MFC website and there will be regular newsletters. MFC missed a year in the past and can do so again. Staying healthy is always so important, we have been so lucky in that regard at camp. Hopefully next year will be the best ever.
For Campers who have already registered for 2020, there are choices: you may request a full refund (including the “non-refundable” deposit), request to apply the funds to next year’s camp, or donate all or some of the payment to MFC to help support our staff until we can reopen next year. We will be contacting each of you soon regarding these refunds, and all refund requests will be honored without question.
With sorrow, but always optimistic, and many thanks to Bill, Jo-Anne and the rest of the MFC management team, and remember: “Look for the Silver Lining!!”
Chris Brinn taught piano accordion for a weekend at MFC several years ago. In 2020 he is BACK and will be teaching during the newly established accordion track for the June week, June 21-26. here are Chris’s own words!! – bill o.
I started playing the trumpet when I was about seven years old. I was extremely lucky that both my parents and teachers always encouraged music. Both my grandmothers played piano, and my grandfather on mother’s side (who was from Wicklow, Ireland) played in a harmonica band when he was in the army. In school though, the headmaster always played guitar and had us all singing during weekly assemblies. I think this was where I first heard, and became hooked on, folks songs and folk music.
Bill: When did you first come to teach at Maine Fiddle Camp?
Éric: I think it was over ten years, or around
Bill: Who recommended you to MFC? Was it either Guy B. or
Lisa O.
Éric: No body recommend me to go at MFC, I remember Guy
Bouchard had been there before. I was just interested to travel, to go
someplace where the people are interested about Québec music. I sent to Doug a
package with my CD Reel à 2 and the last album I did with the band Entourloupe.
His answer was cool and he invite me the years after.
Fiddle campers Emeline Dehn-Reynolds, Peter Yarensky and Paul Fackler, have just completed a project to transcribe the tunes played by Maine fiddler, Simon St. Pierre. Check out this page to see a short biography of Simon and a discussion of his playing, as well as the detailed transcriptions of his three albums.
In honor of the untimely passing of Maine’s legendary Simon St. Pierre in 2016 we are celebrating his music this year at Maine Fiddle Camp. Click HERE to view the last interview and music playing I did with him just a few years ago, and his fiddling is still masterful and a classic example of our region’s fiddling style. More tunes from this session on mp3 are available on our website: www.mainefiddlecamp.org.
Also there will be an upcoming version, just music performance, with many more tunes from Simon.
Hi Fiddle Campers and potential Fiddle Campers! A few days ago we received a very nice review of MFC for the first August Camp last year. This was so great, we realized we need a page just for folks to send in “testimonials”. You will now see that at the top of the web page and can access it here. Feel free to send Camp reviews to us ([email protected]) and we will review and possibly post them on the website. We won’t use your full name if you don’t want us to.. Thanks.. – bill o.
We are moving our newsletter emailing list to Mail Chimp and we need your help. Please click on this link: Newsletter Signup to subscribe to the new list. The process is pretty simple and will insure that you get our newsletters in the future. We send occasional newsletters to let you know about related events and activities both at camp and in the community.
Published on Jun 1, 2015
Maine Fiddle Camp Director Doug Protsik talks about this multi-generational tradition music camp and demonstrates the music on various instruments offered at the camp in an interview by Ann Page.
. As well, our son Andy and his wife Joy are doing a lot of creative playing, and our son Eric and his fiancée Autumn Rose are never far from their instruments.